Hebrews 4

Bob Burroughs's Adagio for Bells has surprising action, energy, and challenges, and yet it always returns to something soft. This piece is well placed at celebrations and festivals at churches,

An ethereal opening gives way to a driving, arpeggiated figure replete with syncopations and jubilant energy! The piece builds in energy and intensity throughout before fading away with echoes of the

This spirited winner of the 2021 Into the Forest Bell Tree Composition Contest uses one 3-5 octave set of handbells and one 3-5 octave set of handchimes, with no duplicate bells needed for the bell

Suggested for 13 ringers and printed in a nontraditional 4-staff format, Air in D is a creative setting of the J. S. Bach favorite. The bottom staff is for the malleted bass line, mimicking

This lovely movement continues to be popular as an encore or performed apart from the complete symphony. Capturing the feel of this second movement, subtle mallet and pluck techniques provide a lovely

This is a perfect and light-hearted piece to include in your concert repertoire! It is mostly rung with malleted low bass and nicely-placed RTs which make this piece dance. The handbell transcription is

This is a rhythmic, dancing, melodic original work that will have your audience smiling as they sway along to the beat. Techniques include mart, mallet, ring, and shake. The addition of bass handchimes

Exquisite writing and lovely harmonic shifts in this original composition make this title one your ringers will want to ring time and time again. Fluid writing throughout evokes the feeling of moving water.

This lovely original work is reminiscent of Canon in D by Pachelbel but is unique in texture and variations. The melody is featured in different voicings, articulations add interest, and the inclusion of

This bright setting of the beloved chorus from Handel's "Messiah" is straightforward and accessible to intermediate choirs. Its bold sound is bound to inspire your congregation or concert audience.

This Joplin "March and Two-Step" is mostly rung and malleted; it should not be played so fast that it feels hurried nor should it go so slowly that it loses its swing. There are several repeats and a trio

A very lovely piece with smooth flowing lines, this expressive original composition is composed in ABA form, with echoes used for interest in the middle section. The return of the original theme builds to a

This original work features a lyrical but poignant melody supported by a flowing accompaniment with many LV passages forming lovely progressions.  It begins in g-minor with nicely-crafted segues to

This piece is the fourth movement from Boccherini's String Quintet in C major, entitled Night Music of the Streets of Madrid. Despite being called Passa Calle, it is not a true passacaglia

This setting of the familiar hymn tune opens with a delicate and unusual harmonic treatment which builds to a full, rich final stanza. An accessible anthem that is a nice "change of pace" selection for