Blades of Grass was inspired by the poem Grass by Carl Sandburg (1878-1967):
"Pile the bodies high at Austerliz and Waterloo, Shovel them under and let me work-I am the grass; I cover all.
This flexible collection is a terrific resource for student groups, church musicians, family musicians and more. These Grade 3 arrangements are fully interchangeable and contain well-known classical
From the Baroque era to the 20th century, these 18 trios are arranged in a wide variety of styles. Written to be played by any combination of three instruments, this versatile collection provides not only
Continuing with the success of the popular Compatible series, Compatible Duets for Winds, Volume 2 contains 29 duets in a variety of styles (classical, folk music and new original pieces)
The Duo for English horn and Alto Saxophone dates from 1938 during Heiden' s years in Detroit. The holograph does not bear any dedication, but it safe to assume that he wrote the two-movement work
Several of Grundman's chamber music compositions were never published during his lifetime. Among these is the Evening Song for Solo English Horn, published now for the first time. The holograph
From Debussy's Children's Corner Suite, this arrangement of 'The Little Shepherd' is scored for one oboe and two cors anglais.
Works by Debussy, Elgar, Rachmaninoff, Brahms, Kreisler, Prokofiev and more! An incredible collection of 25 arrangements for strings, woodwinds, French horn and piano - these mix and match quartets allow
Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal
Arguably the most famous aria from any Mozart opera, "Die Holle Rache" (Hell's Vengeance), from The Magic Flute, is commonly known as The Queen of the Night aria, after the character who
Dr. Hartley composed Reeds at Play in March 1998, setting it for the unusual combination of three oboes and English Horn. The work is written as one continuous movement with three sections
The most famous of Frank Bridge's 3 Sketches for piano, a very fluid piece giving the players the opportunity to practise their rubato ensemble skills.
This is the 'Swan Theme', (originally the famous oboe solo) from Tchaikovsky's well-loved ballet, as the hero Siegfried first sees the swan Odette (who is of course really a princess), and the two fall in
Dvorak's famous G minor Slavonic Dance, from the first set which brought him to prominence in 1878 is arranged here for double reeds. The lively melodies race around the ensemble with plenty of action for
This piece was originally written as a piano duet, and is subtitled Flamenco (Gypsy Dance).