Deuteronomy 10

Originally called hokku, the familiar three-line verse began as the opening of a group improvisation called renga which evolved in Japan in the middle ages. Often creating spontaneously, one poet would

For solo French horn.  First printing.  Three movements: Ritual; Sarabande and Gigue.  Dedicated to Bruno Schneider.  Includes biographical notes in Ger., Fr. and

Virtuoso jazz in classical form: Nikolai Kapustin (b. 1937) is an excellent jazz pianist, arranger and composer. His piano sonatas are now published by Schott Music for the first time. Suitable for pianists

For two percussionists & accordion. First printing. Commissioned by Radio France for Alla Breve. Dedicated to Trio KDM. Five movements. Score, 26 p. and parts.

Inhaling and exhaling quite deliberately as one plays a growing melody. Basically a flute piece, though other wind instruments are welcome to try it. 7-11 minutes.

These five duets 'framed' within the 5 Lessons were developed from the five instrumental duets written for members of the London Sinfonietta between 2008 and 2014 - The Message (Duet 1), Bourdon (Duet 2)

For flute, cello & percussion. First printing. A collection of textual scores, with color photos. Score.

One of the most prolific and respected of American art song composers, Ned Rorem is finally represented in a substantial, representative collection, which includes many newly published transpositions, and

Six pieces for piano tuned in a 13-limit just intonation. Contents: 6Primes 13-7-6-4; 6Primes 11-7-6-4; 6Primes 13-6-5-4;

Rational harmonies in five voices for amplified ensemble (solo 1, solo 2, keyboard, guitar and bass). 20 minutes.

This work is part of Susan L. Nigro Contrabassoon Recital Series. The solo consists of 3 movements for contrabassoon and piano with musical symbolism in each. Movement I, Hooray! We're Here!, has only

For tenor, piano & string quartet. A song cycle of poems by Alain Bosquet and Vera Pavlova. Fifteen movements. Spiral bound score, 62 p.

Many inimitable styles shine through like a beacon in this collection. Several of the pieces were composed during the Covid lockdown and can only now be published. They are joined by two older compositions