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Big Mouth kicks at the beginning and never lets up! If you like Jeff's Critical Mass, Honk, Old School, and Mohave Breakdown, then you've got to check this one out! Written
Blaine Street is an eighth-note funk ensemble feature, with solos for lead alto (on soprano sax) and tenor sax 2. Included is a challenging unison line for piano and electric bass. It's a very
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With its powerful and exciting ensemble passages, this electrifying Fred Sturm arrangement of the Steely Dan classic will wow your audience. It features a 16-bar open solo section allowing for any of your
A tricky mixed-meter extravaganza! Twisting and turning like a Moebius strip, this chart was arranged by trumpeter Tyler Mire of the U.S. Navy Band Commodores and offers some exciting melodic and rhythmic
Freeflow is a contemporary swing/funk chart that features either Solo Electronic Wind Instrument or Solo Soprano Saxophone. The trumpet I part goes to written Eb6, and there are no woodwind
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Games is a ferocious funk/fusion chart with a double-time swing bridge. This exciting modern chart features slap bass and solos for alto 1 and guitar. The chart roars to a big ending that will
Gordon Goodwin is one of the hottest writers on the big band scene today. His Big Phat Band is modern, hip, exciting, fresh and captivating to see and hear. This chart is the real thing as performed and
It's funky with all the Big Phat Band attributes and it's fairly tough to play, but hey, it's Gordon and you know it will be a hot chart if you have the horses! The opening lick for piano is really hot and
This tune has some very wide intervallic leaps in the tenor part and is influenced by Michael Brecker's Delta City Blues. It's a free-blowing piece and is super funky. Arranged by Nashville's
This hip funk chart channels the atmosphere of the American backlands through a straight-eighth compositional style suggestive of Pat Metheny's Here to Stay and Red Sky, with a unique folk
A favorite of Jeff Coffin's and everyone who hears it! It's a very catchy melody that happens to be in 17 (or 8 1/2 if preferred). Listeners will hum the melody the first time they hear it. It's like Maceo
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