Ephesians.4

Appropriate for All Saints, Easter or general use, this choral reflection on Revelation 21:1-4 has two versions: cello and piano; and violin, cello, and organ. Affirming and lovely.

This original a cappella piece by composer Mark Miller is based on the traditional text Dona Nobis Pacem. A solo singer opens with the melody, and as the choir enters the piece gradually builds,

Two beloved Bible passages are skillfully combined in this setting of John 10:14-16a and Psalm 23. The voice of Jesus in the John verses is given an energetic and dynamic treatment, with Psalm 23 gently

Powerful and majestic, this fierce arrangement of an old favorite was designed to have an effect on the singer and listener alike. Featuring soaring vocal lines and an active and dynamic piano

Henry Mollicone offers us a lively and upbeat setting of traditional Latin words and phrases: "Hosanna in excelsis," "Gloria in excelsis Deo," "Hallelluiah," and "Amen." It uses syncopated rhythms with

This beautiful a cappella motet is extracted from Mr. Trotta's major work Seven Last Words. It is lush in its harmonies and suitable for both church and school use. Choirs will enjoy singing this

The composer wrote the poetry of this dramatic and stirring anthem while visiting the Holy Land. The text reflects on Jerusalem's role in the Passion story and musically captures the emotion with intense

A setting of Psalm 23 taken from the larger work Tenebrae - a musical journey through the shadows of the cross. The chorus sings the well-known scripture text, then recaps most of it while the

This piece is a perfect choice for a festive Easter morning celebration or spring concert. The mixed meter creates the feel of a dance as the text proclaims the triumph of Christ's resurrection. "Arisen" is

This choral fantasy uses the hymn tune VRUECHTEN as its underpinning but riffs on the tune by altering the phrasing, cadences, and even takes an excursion into the relative minor. Divisi parts form two

The original tune and lyrics for this piece are by William Billings and have been adapted for mixed chorus, optional percussion and piano by Gwyneth Walker. The mournful spirit of early Americana in the

From a collection of motets, each depicting a scene from Christ's life (birth, baptism, death, and resurrection), this work uses the English translation of the Stabat Mater text and is scored for two part

From a collection of motets, each depicting a scene from Christ's life - birth, baptism, death, and resurrection - this work uses the English translation of the text O filii et filae, and is scored