A delicate Lied sensitively set for two-part or three-part voices. The piano accompaniment is especially beautiful and appropriate for this masterwork from the Romantic era. Teaching opportunities abound to
A minimum quantity of 5 is required on this title.
Every part has a chance to sing the simple melody in this flexible arrangement of the classic canon. Designed to be an a cappella selection, it also includes a piano part that is a real accompaniment, not
Adapted from a Bach cantata, this joyful work will allow two or three part ensembles the opportunity to experience Baroque music and develop important performance techniques for tone, style and expression.
A minimum quantity of 10 is required on this title.
This arrangement of the beautiful song from Richard Strauss' first collection of published lieder features well-written vocal parts with an authentic piano accompaniment. The piece supplies opportunities
This authentically constructed arrangement of the Schubert masterwork features reasonable ranges and accessible reading for developing singers. Both German and English lyrics are included in the score of
A minimum quantity of 8 is required on this title.
Careful editing and research bring this beautiful, polyphonic choral piece back to the performance hall. Part of the American Romantic Choral Series, this will be a great addition to festival and collegiate
This piece originally appeared as part of the third movement of The Great War Symphony written to commemorate the centenary of the First World War. The well-known words by Wilfred Owen are
This familiar aria from the opera Rodelinda is a fine choice for developing choirs. With lyrics expressing the calming, healing, and joyous powers of music, it can be performed for a variety of occasions. A
A beautiful choral piece from the American Romantic Choral Series. Using a mixture of Latin and English, this Ave Maria setting captures the harmonic chromaticism of its time. It is relatively easy and
The Schubert masterpiece, skillfully arranged for developing choral groups, provides opportunities for solos or section features and allows conductors to work on healthy singing technique, beautiful
Now available in a TTBB voicing, this authentic arrangement of the classic motet gives men's and mixed choirs the opportunity to perform this important piece by one of the most important composers of the
The very energetic and joyful chorus from Handel's oratorio "Samson" has been carefully arranged to make this work accessible for SSA choirs. This work is sure to delight audiences and singers alike and
From the Gounod opera "Faust." Here, young Valentin's heartfelt prayer abounds with conflicting emotions, offering singers an opportunity to consider the devotional yet enthusiastic text and operatic style
A cleverly written piece with a text by Alfred Lord Tennyson, the music at times reflects a madrigal with romantic era harmonies. The sound of the bugle is described in a rhythmic motif that is echoed and
Caligaverunt Oculi Mei (1585) is the ninth responsory for the matins of Good Friday. Scored for unaccompanied mixed voices, the text combines scriptures from Job and Lamentations as an allegory
Arranged for tenor-bass ensembles, this important selection from the standard choral repertoire can be experienced and enjoyed by a new audience. True to Pitoni's original, Leavitt preserves the classic
With the option to perform a cappella or with basso continuo and cello, Monteverdi's masterwork breathes new life in this edited version for divisi mixed choirs. An exciting texture that bridges the
A minimum quantity of 20 is required on this title.
This classic piece composed in 1865 holds a cherished place in the choral repertory for concerts, festivals and services. Presented with an English singing translation in addition to the original French,
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This item is only available by rental. You must contact the publisher directly to rent the item.
One of the most recognizable pieces in vocal standard repertoire is brought to the tenor-bass choral world in this new adaptation of an old favorite. The original setting and melody is preserved for
This piece originally appeared as part of the first movement of The Great War Symphony written to commemorate the centenary of the First World War. The chordal, prayerful style of the