Hebrews.7

A celebration of homecoming with a joyous world music feel, this closer is paced perfectly and combines energy and drive with feel-good emotion. It begins with a soloist and continues on with a wide variety

Long before Cha-Cha Slide, this song caught fire after being featured in the 1913 Ziegfield Follies and became one of the nation's first dance crazes. The first minute features a duet singing a

Canons! Fugues! Chorales! All of these forms that made the Baroque period so delightful are employed in this classic series of sight-singing material for mixed, treble and tenor-bass choirs. Beginning with

The ultimate celebration song from the '70s disco musical "The Wiz"! This updated arrangement contains a number of short individual solos to give you the opportunity to feature as many singers as possible.

Released in 2015, this duet by Britt Nicole and rapper NF overflows with raw emotion and power. The song begins and ends with a soft, vulnerable solo reaching out for comfort during a painful experience. A

In this classic series of sight-singing material, composer Hank Beebe has succeeded in capturing the spirit and ambiance of the Classical period in all its rich variety. Beginning with simple, step-wise

Sure to inspire your ensemble, this ballad embodies self-reflection and a call for courage to rise to the challenge of fear! "We can face the fear together, you'll be with me all along. Courage, keep me

One of alt-rock band Switchfoot's biggest hits has been re-envisioned as a show choir opener. It features a soloist for the first verse as well as an interesting polyphonic vocal bridge leading into the

Based on the version from the musical "Jelly's Last Jam" celebrating the life of Jelly Roll Morton, this hidden gem is one of the earliest examples of New Orleans jazz. Not only does it provide a great

Recorded by Cynthia Erivo, this power ballad features a soloist during the intro and again leading the choir for the final climactic finish. The lyrics are written for a person contemplating suicide, but

Geared perfectly for young, changing voices, this series was written specifically for choirs that need simple rhythmic exercises with a sequential progression of solfege skills. To accommodate

Gorgeous Romantic harmonies are within the grasps of beginning sight-singers in this carefully crafted sequential series. Beginning with simple, stepwise motion, each volume starts with simple rhythms that

One of Beyonce's most popular hits, this dance number features a march-like rhythm, rapid-fire lyrics, and plenty of stacked three-part treble harmonies throughout, but it could work just as well with only

With a synth-based heavy EDM sound, this song by the popular hip-hop artist TobyMac makes for an intense mid-tempo number in your show, keeping the pace going between faster numbers. It could even function

From the Broadway musical "Jekyll & Hyde," this song highlights themes of the duality of human nature, the struggle between good and evil, and our public mask versus our private identity. Challenging

Fierce and fiery, this up-tempo ensemble number is all about perseverance in the face of challenge. Suitable as either an opener or closer, the intro features a soulful free solo in the spotlight that

This rousing, feel-good original gospel number will surely get the audience out of their seats and dancing along! The lyrics share the general message of excitement for a wanderer returning home and

From the musical of the same name, this unique gem of an opener recorded by Natalie Weiss has become a new musical theater favorite. It features a brief solo after the dance break and a spine-tingling

Recorded by the likes of Sutton Foster and David Burnham, this gorgeous ballad by Broadway composer Craig Carnelia is the perfect vocal showcase for your choir. The arrangement allows for advanced work on

This closer is a mash-up of Get Up on My Feet by New York singer/songwriter Michael Mott and the 2018 smash hit Dancing's Not a Crime by Panic! at the Disco. Fresh and inventive, it

This engaging mash-up combines the positive energy of Andy Grammer's Good to Be Alive (Hallelujah) with the driving confidence of Bon Jovi's Everyday. It features a solo in the middle of

Your choir will thoroughly enjoy this break from their sight-singing routine! You don’t even have to tell them that they are improving their rhythm skills, as they challenge themselves to keep