Luke.23

Aboriginal Dreams is a multi-movement work beautifully scored for 13 players. The first movement, Ritual, is introduced with powerful triplets and works into a sixteenth feel often

Grainger tells us that Arrival Platform Humlet conveys the sense of "awaiting the arrival of a belated train bringing one's sweetheart from foreign parts; great fun! The sort of thing one hums to

As Above, So Below delves into the universe of Norse mythology. The work in three movements for percussion orchestra centers on Yggdrasil, the Tree of Life with branches that extend to all nine of

Go on an adventure with a playful black cat! The eerie middle section goes exploring in the dark while the lighthearted beginning and end are both full of musical leaps, pounces, and kitty butt wiggles!

As the spoonerized title suggests, you've found a slap stick arrangement of Julius Fucik's Thunder and Blazes (also known as Entry of the Gladiators). The melody of the

Heavily influenced by the Charles Bukowski poem We Must, the inventive textures and moods of Bright Light–Dark Shadows explore the ideas of light and dark.

A medium advanced ensemble piece written for solo timpanist, on five drums, and seven other percussionists with most playing multi percussion setups.  Scored for all normal concert band percussion