Ephesians 1

From the pen of Roger Winslow (204 Progressive Sightreading Tunes), these original duets begin simply and progress to an advanced level. Great for encouraging ensemble playing as well as building

Here's a classic! This popular rudimental snare drum solo is on just about every recommended music list there is, and for good reason! A true rite passage for all snare drummers!

A challenging and modern take on a rudimental classic for advanced snare drum quintet.

A challenging advanced work for unaccompanied multi-percussion. The piece requires mastery of pitched and non-pitched instruments.

Africa Hot by John Wooton is one of the most famous corps-style snare drum solos ever written. It is extremely advanced requiring corps-level finger dexterity and showmanship. Get

Afrobeat is a groove-oriented solo by Mike Hodges. It earned him 1st place at the PASIC 2004 solo competition (he also won the year before), and appears in the tenor solo compilation book,

A delightful set of programmatic works that achieved standard repertoire status almost instantly when it was first transcribed 25 years ago. Shorter sets can be selected from the 12 in this collection and

Here's one that's been putting audiences on their feet since the '80s! John R. Hearns' arrangement for advanced large percussion ensemble with horn section will not disappoint!

Stretched, warped, distorted, de-tuned, and mangled. Such was the fate of the recordings composer Pat Jacobs made using only a snare drum in order to create the fresh and energetic soundscape that

Quintet for unpitched percussion instruments. It features a large array of concert and marching drums and auxiliary percussion instruments. The piece is set up in such a way that the performers face inward

Written for snare drum, kick drum, and hi-hat, Amalgamation features stylistic elements of famed French percussionist Jacques Delcluse and the popular New York percussionist Joseph Tompkins.

This is an intense, highly rhythmic advanced piece for a double quartet. Both pitched and non-pitched percussion instruments are used.

Melody and rhythm marry beautifully in Paul Halley’s exuberant and joyful work made famous by the Paul Winter Consort. It is sure to be a high point of any ensemble concert!