Colossians 2

A collection of three classic American Christmas folk songs featuring Rise Up, Shepherd and Follow; Brightest and the Best and Go, Tell It on the

Dvorak composed this string quartet in 1893 while in the U.S. It is perhaps his most popular string quartet and is heavily influenced by the traditional music of North America. The string parts have been

Whip-poor-will! Spangled with avian antics and musical treasures, this entertaining toe-tapper with lots of independent lines, syncopation, grace notes, sixteenth-note runs, and bird imitations

Here is a collection of traditional Christmas and Hanukkah tunes arranged for four low brass with an optional drum part. Formatted as 5" x 7" march-sized books. Parts are available separately or as a

Celtic Spirit was written in 2008 by Bill Douglas. This is a work for Flute Quartet. It is scored for Fl.1,2,3 and Alto Fl. There are 3 movements: 1.) Dancing in the Wind; 2.) Azure; 3.) Spirit

Featuring two B-flat and two bass clarinets, this is not just a normal transcription assigning all pre-existing notes to several instruments. This arrangement is a work all of its own that showcases the

Edited by Ernst Herttrich.  For 4 horns & orchestra (piano reduction).  Urtext Edition.  Preface in Ger., Fr. and Eng.  Composed in 1849, Schumann's Concert Piece is still

Nineteenth-Century Austrian composer Franz Schubert (1797-1828) is renowned as one of the great masters of German Lieder, having composed over 600 works in the genre. His Die Forelle ("The Trout"),

Fanfare and Frolic is a mixture of the serious and the not-so-serious.... The fanfare is stately in an A-B-A format with the middle section in contrast, not unlike the trio of a march. The 'Frolic'

Having written four String Quartets in less than a decade, Leshnoff strikes a lighter note with his fifth, titled Four Dances. The four dance movements are: I. Waltz, II. Pavane, III. Chas Tanz,

Four Settings in a Primeval Forest, Written for Saxophone Quartet, Four Settings was composed in the summer of 2017. The music in each of the movements is loosely derived from the titles which

For flute trio or quartet - 2 bass flutes (or optional flutes), flute 1 & flute 2 / This has a Brasilian feel to it and allows for some improvisation during one section of the piece. Recorded by Jeff

For Two Oboes, English Horn, and Bassoon. By Daniel Baldwin. Composer's Notes: Legend of the Dragonfly is the first of a multi-piece commission from legendary oboist John Dee. I approached John in

From across the misty moor arises a mournful flute solo, a blur of supporting tones, a pause... and a jig! This lively 6/8 folk-like tune of shared flying flute lines, tuneful countermelodies, and drones

This work is an unsung hero of the marimba quartet literature. It has not gotten its well-deserved circulation through the percussion community because it was unavailable for so long. A classic that will

This lyrical showcase of perpetual motion is a colorful and energetic addition to the bassoon quartet repertoire. Full of rhythmic interest and dramatic harmonic interplay, this piece truly is a maverick

Here's another catchy Rick Hirsch original for saxophone quartet. It's based on his popular big band chart Mambo Over The Mountain, and has optional ad-lib/notated solos in all parts. Scored for

Thematic variations for piano and string trio cast in five movements: Ein Ding; Kinderspott; Duett für Vier; Ruhig and Die Wolfsjungen. The idea behind the work stems from a familiar

Proem and Scamper was originally composed for the Charlottesville Horn Club, then transcribed for saxophones. The short 17-measure proem (a fourteenth century term for preface or prelude) is

Nineteenth-Century Czech composer Antonin Dvorak (1841-1904) spent the years 1892-1895 as the director of the National Conservatory in New York City. It was during these years that Dvorak composed his

Run was commissioned by the Renegade Bassoon Quartet, and was completed in January 2017. As I received the invitation for this collaboration, I immediately knew that I wanted to give the

Another entry in Fernande Decruck's extensive saxophone repertoire, this piece, written for quartet, is an ideal work for advanced high school students and beyond. With more challenging rhythms that