The traditional Latin text of this hymn for Christmas Vespers is set in wondrously crafted work for divisi chorus with tenor soloist, accompanied by solo violin and cello. Shimmering with beauty and
This calm and contemplative work expresses a sudden clarity of purpose in life's journey. Lancelot Andrewes and William Wordsworth's text frames this work that is appropriate for any time of the year, but
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The transcendent glory of the traditional Latin text is treated with great sensitivity and depth in this superb setting for capable sanctuary, concert or festival choirs! With sweeping vocal lines and
From Piae Cantiones, this setting of Gaudete! is in a progressive style, yet well suited to the medieval melody. Its energy is derived from the accented rhythms and dance-like percussive
This curious text depicts a town in southwest England with ties to the Arthurian legends, the Holy Grail, and the story of Joseph of Arimathea. Beautifully crafted, the music soars and weaves, painting the
Written for full brass ensemble, organ, soprano solo, and chorus, this 17-minute single-movement setting of the Gloria explores a wide range of musical writing. The result is an extended work that
Written with joyful exuberance, this Gloria setting contains both homophonic writing and interplay between the vocal parts. Add the optional trumpet for even more festivity in concerts or services at any
This vigorous seven-minute work is a rhythmic yet lyrical setting of the Latin "Gloria in excelsis" text that will be a highlight of both sacred and secular programs, especially at Christmas. Written for
This energetic choral work offers an introduction to the traditional Latin text with compound meter and accessible choral parts. Whether chosen for its educational features, its lyric melody, or its
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Haydn's eighth setting of the ordinary of the Mass was composed in 1782 for performance in Mariazell, Austria. The brief opening portion of the Gloria has been selected for this anthem, featuring Haydn's
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Singers and audiences alike will be satisfied by this powerful, richly scored Christmas fanfare by Victor C. Johnson. The traditional Gloria in excelsis Deo text makes this an approachable and appropriate
The opening movement from Vivaldi's "Gloria" is a choral standard that is a recognized masterwork of the Italian Baroque period. It is a solid choice for holiday concerts or festival appearances!
Equally effective a cappella or with the optional piano accompaniment, this dynamic work with the traditional Latin text is a great choice as an opener for either Christmas or general programming. A fanfare
This festive original setting of the traditional Latin text captures the essence of joyful admiration of God. Both solemn and majestic, pensive and jubilant, the a cappella sonorities expressed and explored
Lloyd Larson's thrilling setting of Angels We Have Heard on High will have everyone singing "Gloria!" Fitting for school or church use, the combination of singable vocal lines, a persistently
Beginning with a mystical, ethereal feel with a haunting optional cello line, this piece opens with lyrical choral lines singing over a baby and promising heavenly protection and care. The mood then shifts
G.F. Handel's iconic Hallelujah Chorus is an annual tradition for thousands of choirs around the world. Here is the standard version in all its glory for SATB choir with a piano or organ part
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G.F. Handel's iconic Hallelujah Chorus is an annual tradition for thousands of choirs around the world. Here is the standard version in all its glory for SATB choir with full orchestral
If the original version of the Hallelujah Chorus is a bit daunting for your choir, then this is the virtual version for you! It's a step lower, quite a bit shorter, and presented as a kit that's designed to