SATB Sacred Concert Choral Music

Now in a second edition, this a cappella setting of Agnus Dei from the major work "The World Beloved: A Bluegrass Mass" is rich with lush harmonies that breathe new life into an oft-set text. This work

Standing alone or as part of a larger Missa brevis, this modern setting of the traditional Latin text is carefully crafted with achievable ranges, sensitive musical phrasing, and attention to syllabic

This setting of the traditional Agnus Dei Latin text from the Requiem Mass was specifically written to honor the memory of the numerous victims of the senseless mass shooting tragedies of the summer of

This selection is a gentle lullaby based on an old Welsh folk song. With limited divisi towards the end, it has beautifully lyrical writing and will be a warm and welcome addition to any concert.

Through the single word "alleluia," this a cappella piece is excellent for groups looking to explore closer cluster harmonies, unification of vowels, and musical phrasing. Moderate vocal ranges and an

Through the single word "alleluia," this piece is excellent for groups looking to explore closer cluster harmonies, unification of vowels, and musical phrasing. Moderate vocal ranges and an optional descant

Careful editing and research bring this beautiful, polyphonic choral piece back to the performance hall. Part of the American Romantic Choral Series, this will be a great addition to festival and collegiate

The rich harmonies in this a cappella prayer are expressive and intimate. With carefully prepared dissonances and thoughtful voice leading throughout, it is well within the reach of many ensembles and is

This setting of Hildegard of Bingen's Ave Generosa text uses a hauntingly joyful tonality, paying homage to the mysterious story of Mary. A beautiful middle section is surrounded by contrasting

One can hear the influence of centuries of past compositions in this newer setting of Mary's exalted prayer within the Christian faith. The character of the music feels soothing and familiar, yet there are

With long phrases and lush harmonies, this a cappella anthem is colorful and well conceived. The vocal parts divide and there is some mixed meter. Subtle and effective!

Opening with a section of plainchant, this setting of the traditional Latin text most known in the Mozart or Byrd versions shimmers with modern a cappella harmonies. Cluster cadences and expressive vocal

This newly edited and re-engraved excerpt is from the Liszt's larger work Christus. This selection opens the second of three sections of the oratorio  which describes the life and ministry of Christ.

"Come my way my truth and life; such a way as give us breath..." George Herbert's famous poem is treated with reverence in this singable setting. Unison melodies give way to lovely, accessible and

Originally set as movement VIII of the cantata Melodious Accord, this work uses the hymn tune Vernon from the Mennonite shape note hymnal Harmonia Sacra and text from four verses of

This piece from Missa Abreviada, CPM 112, has been edited for choir with solo quartet and piano accompaniment. Beginning slowly, the piece moves into a spirited fugal setting of the traditional Latin

Taken from Haydn's masterwork, this shortened edition has also been transposed to make it more accessible. The setting of the compact Latin text explores many of the conventions of the Classical period,

Extracted from Kim Andre Arnesen's "Magnificat," this luscious setting opens with a hauntingly gorgeous soprano solo. Undulating choral rhythms and sublime a cappella moments make this a piece not to be

This unique setting pairs the iconic Latin text with a new, original English text which responds to the question: Why do we rejoice and shout our praises to God? The music captures the energy, rhythm, and

Subtitled as "A New Psalm 121," poet Euan Tait has added his own verse to a beloved Psalm. Beginning in unison, this piece moves to a lovely a cappella section before building to a dramatic ending. With a

This exciting mixed-meter piece is excerpted from Kim Andre Arnesen's "Magnificat." The composer has the voices in unison, two parts and four parts throughout. This variety keeps the excitement going. While