These two short Renaissance gems have been carefully arranged for developing choirs: Inimici Autem and Alleluia, Laus et Gloria. Special care has been given to retain the beautiful chord
A minimum quantity of 8 is required on this title.
Madrigal singing has long been a staple of the choral repertoire, particularly for the development of independent singers with the use of polyphonic harmony. And, they're fun to sing! Here are two madrigals
A minimum quantity of 10 is required on this title.
This well-known Italian madrigal by Orazio Vecchi is offered in two voicings, enabling singers to be successful while staying true to the style of the period.
This classic French madrigal is a teaching staple and concert highlight. Perfect for teaching precision and independence of line, this polyphonic Renaissance piece can be performed a cappella or with the
This popular madrigal by Thomas Weelkes (1576-1623) is set in C major, a lower key than usual, truly making this edition an SAB-friendly version. Meant to be performed a cappella, a piano reduction is
This sprightly madrigal with its light and joyous feel has been adapted for SAB voices and given the option to be performed a cappella or with the supportive piano accompaniment. This edition also provides
With this follow-up to the top-seller All Star (as an English Madrigal), this fun madrigal adaptation of the Spice Girls hit from the 1990s is another fun way to teach this genre to young singers,
This classic French chanson is skillfully arranged for three-part mixed choirs. Independent vocal lines, staccato and legato phrasing, and the a cappella setting provide wonderful learning opportunities for
This arrangement turns the 1999 Smash Mouth hit into an English madrigal. Using wonderful harmonic progressions and a tune that most will recognize from the "Shrek" movies, this a cappella piece is a fun
Two timeless madrigals written specifically for the winter season have been authentically edited for SAB choirs. Included are Thomas Campion's Now Winter Nights Enlarge and Thomas Weelkes's To
Excerpted from "The SAB Choir Goes Renaissance," this madrigal offers carefully crafted choral parts that are accessible for young, developing singers while retaining the harmonic structure of the original.
UIL Choral Sight Reading Level 3A, 2A, 1A, 3B Varsity/ 6A, 5A, 4A Non Varsity - 2017
Here is a fantastic resource for introducing madrigals of the Renaissance to the developing ensembles or groups with limited male singers. The five works by Thomas Weelkes are: Come, Let's Begin; Four
The Nightingale is Thomas Weelkes' famous madrigal in an accessible SAB edition, with optional percussion (hand drum or tambourine) providing additional rhythmic security for developing ensembles
This sprightly, dance-like madrigal is a great teaching piece! A delightful concert opener, it lends itself well to a processional with voices, hand drum and tambourine. At just under two minutes' duration,
In this clever madrigal novelty, 16th-century harmony meets 21st-century technology! It sings the story of a couple falling in love, with some help from Google, Facebook, and Twitter. Performed a cappella
This three-voice madrigal by Thomas Weelkes is full of fun and whimsy, with changes in meter, interweaving vocal lines and a dance-like feel, with optional hand drum. An excellent selection for madrigal
A minimum quantity of 5 is required on this title.
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This tuneful work from the Renaissance is uptempo and bright. Clarity of line and a firm harmonic base make the work easy to learn and fun to sing. Add the optional percussion instruments to give it even