Collegiate Repertoire

Crafted for double choir and two soloists, this contemporary work reflects on the experiences of immigrants to the United States. It can be performed antiphonally, immersing the audience in the impact of

Using "Alleluia" as the sole text, this piece takes the listener on a journey from a fanfare opening to a reflective middle and a triumphant end. Commissioned by the Orpheus Chamber Singers, this

The ocean is brought to life with the use of sharp consonants, overtone singing, whispering, and an ocean drum. For choir and youth ensemble, singers create the journey from calm, sparkling waters to waves

An excerpt from Handel's "Israel in Egypt," this carefully edited edition is the perfect concert opener or festival piece. Scored for double choir and piano, this Baroque staple is made

Influenced by the choral works of Mendelssohn, Robert Seymour Bridges' sacred poem is sensitively set for double choir through the use of classical voice leading and harmonic structure. Appropriate for both

"Unto thee, O Lord, do I lift up my soul." The hymn for the first Sunday of Advent, Psalm 24 (25) soars in this setting for double choir. Sustained vocal lines, chain suspensions, and antiphonal writing

Engaging triple SATB choirs, this lively 16th-century work is appropriate for collegiate, community, and professional groups and will make a fantastic concert opener!

This new edition of a medieval Latin Christmas hymn offers options for soloists with a cappella double choir or single choir with organ or instruments. Part of the Duke University Series, there are four

This is amazing! A tremendously fun and interesting setting of the traditional spiritual Elijah Rock, this arrangement for double choir goes well beyond eight parts in some places. Challenging and

Extracted from the fourth movement of the larger work "Missa Romantica," this setting of the traditional Latin text appears in two versions: the first is accompanied as it appears in the larger work; the

Combining texts by Hildegard of Bingen and Mother Teresa, this striking concert work for mixed choir with SAT semi-chorus is both emotive and lyrical. The main choir is accompanied by a small SAT ensemble

"Mother Earth". A beautiful take on The Lord's prayer. The poem reminds us that our actions here on our planet Earth have had and will forever have environmental effects. And that we have a common mission

Giovanni Gabrieli, an Italian composer and organist, was one of the most influential musicians of his time, representing the culmination of the Venetian School. This setting of Psalm 98 is scored for double

This is an exquisite piece with text by the 13th-century Persian mystic known as Rumi. This arrangement is very still, pure, and possesses a quiet intensity. Slow-moving chords overlap and interweave

This uplifting and inspirational declaration of freedom reflects the expansive mystery of the sea in both the text and music. The piece builds from a few repeated rhythmic motifs that alternate with

Wistful and introspective, this piece speaks to longing unfilled. The lush harmonies depict a romantic sensibility while the glissando textures throughout speak to the unrequited desires in the poetry. A

This inspirational and truly moving setting of Psalm 91 will have your singers soaring like angels and will inspire and comfort all who hear it. Featuring a tenor solo that will move audiences to tears,

This classic song, written in the 1940s and made popular by Peter, Paul and Mary, is taken outside the box with this contemporary setting. Hand percussion underpins the layers of rhythmic choral lines which

This piece takes William Byrd's famous motet and reimagines it for three unaccompanied choirs. Using plainsong against canon and dense layering that gives it an ancient texture, this challenging selection

This arrangement, written for VOCES8, presents a dreamlike choral fantasia based on the first movement of Beethoven's famous Moonlight piano sonata. Particularly suitable for choirs of mixed

Often considered the most beautiful, pure vocal music of the 19th century, this Rheinberger Mass written for double choir obtains its special character through the use of compositional techniques of ancient

Based on Bach's original score and the copies he made himself, this Urtext edition of one of his greatest choral masterworks preserves the original German text and score. The continuous flow between

The final movement from a set of four contrasting memorial dances for unaccompanied mixed chorus. The text, from Psalm 30, is set to a sprightly gigue. Written for double SATB choir, the textures are light