Ephesians 1

Wish your audience a Merry Christmas and a Happy New Year in just a half a minute. This madrigal-style a cappella novelty is equally easy to learn and enjoyable to sing. Plus, it's a great choice to close

Here's a sparkling rendition of the traditional English carol that is sure to be a holiday concert highlight! The dazzling piano accompaniment frames the piece and the choral harmonies are bright and clear.

Begin your performance or concert with this festive, rhythmic processional that features layered African drum ostinati and homophonic chordal harmonies. The Swahili text is easy to learn, and the setting is

A dynamic a cappella world music selection featuring a call and response solo, optional improvised percussion and movement, and a divided choir option. The song is a traditional South African celebratory

A strong unifying text from Colleen Carhuff states "No notes are as connected as the souls that sing them, and no soul is happier than when surrounded by their friends. We are one!" A wonderful choice for

Serving as an unofficial anthem, this beloved Korean folk song is creatively set by one of Korea's top female composers. This arrangement begins with beautiful, flowing unison vocal lines and simple

This setting of Hildegard of Bingen's Ave Generosa text uses a hauntingly joyful tonality, paying homage to the mysterious story of Mary. A beautiful middle section is surrounded by contrasting

Made popular by the award-winning group Sweet Honey in the Rock, this South African folk song was shared with the arranger by the group using the text that they had learned from an indigenous South African.

Following on the heels of his wildly popular Sisi Ni Moja, Jacob Narverud returns with another show-stopping piece in a similar style. With influences from world music and an upbeat rhythmic style,

What is a Christmas concert without this classic carol? This stunning setting breathes life into the seasonal favorite, spanning the dynamic spectrum and offering a musical presentation replete with joy and

A perennial festival favorite, this tender Appalachian folk melody is given an artistic setting and wonderful piano accompaniment all the while maintaining the traditional folk flavor of the song. Not to be

This is hilarious! Ellen Foncannon has created a clever parody on Bach's famous "Fugue in G minor" that will have your audience in stitches! Your students will have a blast singing such funny words with

A text adapted from scripture and lovely choral moments that bring the text to life create a wonderful piece of consecration and dedication. Lush choral writing, with engaging interplay between upper and

"I am you are me...." This innovative original uses a clever text and pop-style music to create an environment of togetherness among members of the choir. Community - that's what it's all about. Each vocal

This bright and festive a cappella work is set for has become a standard in choral literature for both festival and church choirs. The SSAA and TTBB versions have been adapted by Tim Sarsany.

As with daybreak, this piece innocently begins with one melody in unison; then, as in a round, a second melody appears, then a third, and finally blossoming into four parts. A robust piano accompaniment

This edition of the well-known choral masterwork from Mozart's "Requiem," now available for mixed, TTBB, and SSAA voices, has become a standard for today's choirs. Patrick Liebergen has re-scored the

The first movement of the trilogy Divine Encounter is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as a celebration rather than the meditative,

The second movement of the trilogy Divine Encounter is based on Micah 6:8 and is a regal and stately expression of our gratitude. As we partake of God's bounty, we are urged to offer ourselves as