This delightful partnering of two traditional spirituals in a rhythmic, jazzy style is both easy to teach and fun for your singers. Both songs are introduced in unison and two-part harmony before partnering

This vibrant celebration in classic ABA form has a nice, syncopated opening and a contrasting lyrical middle section. It consists primarily of unison writing with some easily taught moments of two- and

An inspired text penned by sixth grade poet, Kay Michaels, sets the tone for this whimsical unison piece for treble choirs. The piano accompaniment supplements that child-like feel, and the wandering

In this gorgeous new contemporary setting, the traditional text is set to an original melody, with each voice part taking a turn with the long legato phrases. The harmonies are lovely in this exceptionally

Expressing a powerful message of hope for a better world, this dynamic piece strikes a universal chord for all to hear! The quiet and subdued opening gradually builds to a dramatic musical statement using

At long last, this perennial favorite from Handel's "Messiah" is now available for developing ensembles in a simplified yet authentic arrangement that will enhance the sound of any size choir. Lowered from

Celebrate the legacy of Martin Luther King, Jr., with this easy-to-learn original piece. A dynamic text gives historical perspective and context, while the mostly unison setting gives the opportunity for

This piece combines musical elements of traditional African-American spirituals and Protestant church music. Inspirational and great fun to sing, with optional claps and hand moves, singers will ride on the

Opening with "Keep your lamps trimmed and burning!" as a dramatic rubato statement, this incredibly creative arrangement then kicks into a driving, rhythmically intense feel that never lets up!  A most

A clever arrangement of the traditional spiritual that includes a surprise nod to Handel's Hallelujah Chorus, plus an optional part for autoharp. The pentatonic chorus is great for teaching or

With a text taken from a variety of traditional Irish blessings, this lyrical original is the perfect way to close a concert, celebrate a graduation or moving on ceremony, or establish as a signature song

Traditionally, Nicaraguan mothers sang this lullaby to their children as they rocked them to sleep. This up-tempo arrangement is in the style of a Spanish dance, complete with hand percussion parts,

This not-to-be-missed a cappella setting of a Ghanian folksong sparkles with energy and excitement. Strong vocal pairings, handclaps, and active percussion parts for shakers, djembe, and bass drum combine

Fun with solfege for treble choirs! This original two-part song teaches syllables and note names along with scales, harmony and vocal glissandi. Add hand signals or movement to create a musical showpiece

An optional flute obbligato floats above treble voices in this lyrical setting of the famous poem by Thomas Hood. The text provides a good conversation point for teaching, while the well-written vocal parts

This vibrant, percussive original a cappella work uses both Swahili and English text to create a dynamic multicultural feature that works great as an opener or processional. The theme of "coming together to

"Who can sail without the wind? Who can sail without oars? Who can leave a parting friend without shedding tears?" Beginning in Swedish and unison voices, followed by English verses of harmonically-driven

"Shining and shimmering up in the sky..." this text is reminiscent of the Star Light, Star Bright nursery rhyme. The use of Mixolydian mode and compound meter create a sense of longing with an