Philippians.4

This appealing jazz standard is a great way to feature your vocal soloist and liven up a concert. The style is medium swing, the key is F, and every section of the band gets a chance to shine.

It's ok to be off! This chart's harmonic structure uses only the last eight bars of a 12-bar blues - the first four bars of a typical blues are missing! -  hence the title 1/3 Off. A perfect

This medium difficulty chart refers to the scenic road through Pebble Beach and Pacific Grove on the Monterey Peninsula in California, much of which hugs the coastline and passes famous golf courses,

2 by 2 is written in the style of the great Cool era jazz composers like Bill Holman and Gerry Mulligan. It utilizes counterpoint in the backgrounds rather than block chords you would find in a

Starting with an a cappella saxophone chorus, this chart quickly moves into a B-flat blues with plenty of written or ad-lib solo space for trombone and alto sax. There's a "quiet shout" chorus that builds

Composed for the 50th Anniversary of the Lionel Hampton Jazz Festival in 2017, this chart will get your band and your audience up and swingin'! There's plenty of solo space for tenor saxophone, piano and

One of the later and lesser-known entries in Thad Jones' expansive catalog, 61st & Rich' it was written as a tribute to the Thad Jones-Mel Lewis Orchestra's original bassist, Richard Davis. It

Need a great opener or a burning closer? 702 Shuffle can take care of either spot on the program! With a strong melody, an infectious groove and solid ensemble work, this Bret Zvacek composition

Salute the unsung hero of the jazz ensemble, the piano player, with this accessible piano feature! 88 Ave. B is an accessible Basie-style swinger that features the piano throughout

Originally written for the Sammy Nestico Dark Orchid recording and later reprised on A Portrait of Sammy, this iconic swing chart gives all the solo work to piano, first in the opening 48 measures, then

Composed for the Northwestern University Jazz Ensemble, this gem opens with a misterioso 12/8 minor blues which is evocative of the classic Ellington/Strayhorn orchestrations of the 1950s and '60s. The

A playful chart in a Basie swing style, Aardvark Stomp is easy and fun to play and a great way to assist young jazz musicians in developing ensemble and sectional playing skills. There's

Harry James, one of the leading trumpeters of the Swing Era, was a huge fan of the sound and style of the 1950's Count Basie Orchestra. James hired several of Basie's arrangers to write arrangements for him