Sacred Choral Concert Music

In a perfect blend of the ancient with the modern, this majestic work sets a text by Hildegard of Bingen with pentatonic chant-like melodies, parallel lines, and sections of counterpoint that are stunning.

G.F. Handel's iconic Hallelujah Chorus is an annual tradition for thousands of choirs around the world. Here is the standard version in all its glory for SATB choir with full orchestral

Alexander Carmichael's "Carmina Gadelica" is a six-volume set of various prayers, songs, poems, invocations, and other lore he collected over a close to 50-year period (1860-1909) in the Gaelic speaking

•  An effective and short setting of "The Lord’s Prayer"
• Simple syllabic writing so the words are easy to hear
• Use of dynamics to enhance the meaning of the... view details

"We are not alone, God is with us." Here is a piece that succinctly captures a confident thought and presents it in a straightforward, honest way. The choir supplies rhythmic energy while the soloist glides

This popular song, often referred to as the "Black National Anthem," is frequently chosen to celebrate important moments in gatherings and commemorations of the African American Civil Rights Movement. In

Imagined and created for a Leonard Bernstein 100th anniversary celebration, We Reply was inspired by his famous quote about making art in the face of adversity. It bursts forth with rhythmic energy

Ethereal and mysterious, this setting of a gorgeous text by 11th-century mystical poet & nun Hildegard von Bingen is a stunning work for treble choirs. Translated as "O Glistening Starlight," the poem

For double choir, here is a late 16th-century motet by Raffaella (Vittoria) Aleotti, a composer believed to be the first woman to have sacred music appear in print in 1593. Using text from Song of Solomon,

Forming from a single unison pitch, this work builds into five parts of full harmony on the traditional Latin text. The Soprano 1 part opens with the opportunity to feature a soloist, and the gorgeous

A beautiful setting of the beloved hymn! A simple piano accompaniment provides underlying movement, which paired with lovely lines for cello and violin, add a lush foundation to the well-crafted vocal

Pulsating rhythmic ostinatos, cluster harmonies, and soaring soprano lines are all present in this exciting a cappella concert work, possessing all the elements you'd expect from the composer of Veni,

This stunningly expressive work was commissioned for a vast number of high school choir programs forced to cancel concerts due to the COVID-19 outbreak. Inspiring and reflective, the rich harmonies capture

William Blake's text is given an elegant a cappella setting with full harmonies that will appeal to more advanced choirs. 

The well-known song Shut de Do! has been arranged in combination with an original melody and Swahili text to create a multicultural celebration that is simply dynamic. Powerful harmonies and

From Argentina comes this lovely a cappella setting of the traditional Ave Maria text for treble choirs. The resonant harmonies will ring with a tranquil beauty, and this piece will find a home in concert

This is a funky arrangement of Beethoven's Ode to Joy with an English text by Henry van Dyke. The well-known melody is arranged in 12/8 time with syncopation, giving it a jazzy, gospel feel, while

"May you always remember when the shadows fall, you do not walk alone." This ethereal setting of a traditional Irish blessing is scored in a variety of voicings with piano. Deft strokes of Celtic styling

A text from the Book of Common Prayer, as timely today as when it was originally penned in 1662, is particularly engaging in this relaxed and soulful gospel setting. This setting for SATB voices and piano

Sacrilege or a stroke of genius? This arrangement takes the first movement of the famous Moonlight Sonata by Beethoven and has added a four-part choral movement to it, which is underlain with the

Perhaps Faure's most famous choral work apart from his Requiem, this 1865 work is an enduring choral classic worthy of study. This edition uses the French text only and gives options to purchase with or

The cries of the damned open the powerful second movement from the Mozart Requiem. “Day of wrath, day of judgment” makes a dramatic choral statement with a mostly homophonic texture. The piano