Collegiate Repertoire

A new edition of this 16th-century Lenten responsory.

The arrangement of this African American spiritual is both accessible and gorgeous. A short choral section is used for the introduction, interludes between verses, and at the conclusion, adding cohesion to

The beloved Latin text is set in an elegantly simple texture with conservative ranges. Straightforward rhythms and moments of release create a tapestry of sound that surrounds the chant line. In a variety

Commissioned by Sonoro for the second installment of their Choral Inspirations project, this piece was composed as a response to Antonio Lotti's Crucifixus from Credo in F. Use of suspensions,

In a masterful blend of early musical style with modern melody and harmonies, this beautiful setting of the traditional text shines with elegant simplicity. A rubato piano opening leads to a unison

Sometimes the mere thought of Christ's immeasurable love can wash over the believer in an overwhelming wave. This choral anthem is reserved for those moments in worship. Using Charles Wesley's

This original a cappella piece by composer Mark Miller is based on the traditional text Dona Nobis Pacem. A solo singer opens with the melody, and as the choir enters the piece gradually builds,

Part of the extensive library of Shaw–Parker choral settings, this expressive arrangement of an early American hymn tune is handled with care and dignity.