This work is based on Who has seen the wind?, #85 from the Christina Rossetti book Sing Song: A Book of Nursery Rhymes. Set for organ and cello accompaniment.
Lush harmonies and independent part writing make this concert pop arrangement of the Jason Mraz hit a must for your choir! Ideal for graduation, moving up ceremonies and final concerts, the theme resounds
A minimum quantity of 10 is required on this title.
A minimum quantity of 5 is required on this title.
From a three-part collection based on poetry by American pioneers, this third piece depicts a barn dance as vocalists circle 'round the instruments, stomp, clap, and perform with general
A beautiful and moving setting of the Rainer Maria Rilke poem in German, this original a cappella concert work uses the full range of tonal color painting, creating a work worthy of the very best choirs.
Dan Forrest's SATB divisi setting of a poem by the late Jake Adam York is simply stunning! Both the poet and composer were inspired by the old hymn Abide with Me and elements of that
Highly rhythmic in both accompaniment and voices with independent vocal lines, this work simply radiates energy with a message of hope and empowerment: "To the stars through difficulties, look upward, move
Pulitzer prizewinning composer Shulamit Ran provides a grand statement in praise of the pursuit of knowledge. Wisdom, understanding, and learning are highlighted as the means to justice, judgment, and
This rich arrangement of the second movement of Rachmaninov's Second Piano Concerto for wordless a cappella voices was written for Harry Christophers and The Sixteen. Chilcott artfully reimagines a
Although this is an original work, the words, which simulate a tribal language, give it a world-music feeling. In fact, the chant-like character of the piece almost makes you feel as though you are taking
The timeless music of John Ness Beck surrounds a penetrating text that recognizes the power within each of us to be "a beacon for the world, a torch that will never die" as we reach out with comfort,
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In Sara Teasdale's poem After Love, the opening line "There is no magic any more" establishes the theme of vanishing love. This setting of the poignant text, in the dark key of D-flat major,
Close harmonies and a lyrical melody paint the sense of longing one feels after losing a loved one. An exploration of dissonance and resolve, this a cappella piece provides comfort in a time of
This lovely setting of Millay's touching poem requires a flexible tempo with plenty of gentle rubato to give the effect of a poem being spoken by an accomplished orator. Great teaching piece for working on
William Blake's poem is one that is often analyzed because of the symbolism in his words. In the same way that the sunflower follows in search of the sun, so do we search for meaning in life. The music
A mythological song about two heavenly steeds of a god's sons, this selection is a calm, meditative rendering that is almost mystical. The Latvian modality permeates the song with an eloquent tension
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Sara Teasdale has inspired countless composers with her poetry, and this setting is no exception. A driving piano accompaniment underpins an expressive legato vocal line, while a horn obbligato brings an
The second movement from a set of four contrasting memorial dances for unaccompanied mixed chorus. The text, from Isaiah 40, is set to a courtly gavotte in a minor modality. Suite Remembrance,
A beautiful King's Singers a cappella arrangement of this Andrew Lloyd Webber classic from "The Phantom of the Opera."
An original contemporary a cappella work, this beautiful composition with a propulsive time signature mixes with lush and ever-present vocal textures and handclaps. Ideal for either a cappella groups or
Commissioned by the United States Air Force Band, Colonel Don Schofield, Commander and Conductor. Based on the 1819 poem by Walt Whitman.
This a cappella setting of words of assurance from the English mystic Julian of Norwich is as relevant today as ever. Sustained, independent vocal lines create lovely harmonies, and the powerful lyrics make