BriLee Music Publishing

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Steadily and with determination, ants are on the march in this playful choral which depicts the many qualities of these pesky bugs. There is a cute interplay between the two parts, which is good for a first exploration into harmony. The marching tempo emphasizes the determination of the ants - we can all learn a thing or two from them!

Ants Marching

Two-Part Octavo

Copyright Year

Joyful and exuberant, this lively selection combines English and Swahili phrases to encompass the seven principles of Kwanzaa – principles that everyone can follow to become more compassionate and to make the world a better place. Add the optional percussion and electric bass to further enhance the rhythmic energy of this piece that celebrates love, community, and African and African American culture.

Kwanzaa Song

Three-Part Treble Octavo w/ opt. Bass & Percussion

Focusing on personal and community wellness, this original work alternates between unison singing and layered sections that echo lyrics between the voices. Certain to be empowered by the rich messages found within, and with solo or small group opportunities, your choir will appreciate learning and performing this coming-of-age piece.

Who I Want to Be

SATB Octavo

Celebrating the hope that shines brightly after a storm, this vibrant work is spirited and uplifting. Crafted with careful attention to range for developing choirs in middle or high school, it offers a great deal of musical expressiveness as it moves through a variety of moods, keys, and meters.

Rainbow

SA Octavo

Welcome the Christmas season with this festive original work for two-part treble or tenor-bass voices! Accented and vigorous, this a cappella setting in compound meter is the perfect way to open a concert or service in impressive fashion.

Noel, Noel

Whether you perform in unison or two parts, this engaging original choral offers excitement and musical satisfaction for elementary choirs. Vivid text paints the anticipation of an approaching storm: the rush of wind, the rumble of thunder, the flash of lightning, and the sense of the sky coming alive. Rhythmic writing and bold imagery create a suspenseful atmosphere singers will love.

Thrill of the Storm

Unison/Two-Part Octavo

An original art song for developing tenor-bass ensemble, this lyrical work describes the image of a love so beautiful, she must be responsible for waking the dawn each morning. Carefully considered ranges and vocal lines that play wonderfully off one other with echoes and sequences make this a successful programming option for your next concert or festival.

She Wakes the Dawn

TB Octavo

Ashley Dame's text depicts the Viking Age: a time of battle and conquest, when brave mariners ventured forth to create, protect, and defend their new homes and lives. Written specifically to provide a comfortable tessitura for unchanged (Stage I and Stage II) emerging tenor and bass voices, it offers the right mix of flexibility and exciting appeal that will guarantee success.

The Oarsmen

Three-Part Treble Octavo or TTT (Unchanged Voices)

This not-to-be-missed a cappella setting of a Ghanian folksong sparkles with energy and excitement. Strong vocal pairings, handclaps, and active percussion parts for shakers, djembe, and bass drum combine with the call-and-response texture creating a full choral experience accessible by any choir.

Obwisana

Here is the perfect way to introduce a cappella singing to your young choir! The chant-like melody is stated in echo style, then all voices join in harmony. The excellent performance notes include a pronunciation guide for the simple Kyrie text. At just over one minute in duration, this is a little gem!

Antiphonal Kyrie

Three-Part Mixed Octavo

Written with developing tenor-bass choirs in mind, this evocative a cappella work has appropriate ranges and predictable voice leading. Comprising three movements, each with its own emotional landscape, this work explores themes of parting, reflection, and adventure.

Songs of Farewell

John McCrae's iconic World War I poem is set with a beautifully haunting piano accompaniment that supports long, sustained vocal lines, encouraging tone development and expressive singing. Ideal for emerging middle or high school mixed or tenor-bass choirs, it is an eloquent statement of reflection and honor.

In Flanders Fields

SAB Octavo or SA(T)B or Two-Part Mixed (opt. Tenor)

Based on a Latin translation of Psalm 3:4, this song takes the listener on a musical and emotional journey. With a driving piano accompaniment throughout, the first half of the song uses a minor mode and dissonance to convey a sense of despair, while the second half features a peaceful major mode to depict relief and joy.

Voce Mea

Tenor-Bass ensembles will enjoy learning this uplifting song full of fun rhythms, toe-tapping, and accessible ranges. With lyrics that encourage the singer to persevere no matter what challenges lie ahead, this soulful and energetic gospel-style piece will be a wonderful choice for your next concert.

Keep a-Goin'

The story of this classic carol about a king who gives to the poor is told in all five verses, with optional soloists when the king converses with his loyal page. With a supportive piano accompaniment and clever choral writing, this festive piece is a wonderful choice for developing choirs in multiple voicings.

Good King Wenceslas

Your tenors will especially love this lighthearted doo-wop a cappella setting of the traditional Angels We Have Heard on High Christmas carol. Fun to sing for all voice parts - add some finger snaps and a little movement and you've got a winner for your holiday concert!

Doo-Wop Gloria

This easy-to-learn holiday novelty piece has a unique twist: choir and audience members can download a free sleighbell app to use throughout the song as the jingling bells! The piece includes nods to Jingle Bells; Ode to Joy and Deck the Hall along with humorous lyrics for the iPhone generation. Pure fun, and sure to be one of the most talked-about pieces at your holiday concert!

iJingle Jingle

A creative depiction of the frenetic energy of a storm, this piece utilizes body percussion and drums to mimic the sounds one might experience during a storm. That, coupled with the descriptive text, makes this piece worthy of study for your ensemble. Truly exciting!

Storm

SAB Octavo

This arrangement of a traditional Italian folk song is a fun way to work on pure vowel formation and unity of tone. Whether sung with piano accompaniment or a cappella, this lighthearted, energetic selection is an approachable work for treble, mixed, or tenor-bass choirs.

Bella Ciao

Three-Part Mixed Octavo opt. a Cappella

Series

This energetic original work is a testament that "Love conquers all, therefore let us surrender to love!" In Latin, with pronunciation guide and translation included, this festival work may be performed a cappella or with the optional piano accompaniment, presenting flexibility and educational opportunity for teaching blend and musicality.

Omnia Vincit Amor

SATB Octavo opt. piano accompaniment

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