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Cellists will be thrilled to hear that this Fritz Kreisler favorite for violin is now available for the cello. Airy and bright, students will find joy in preparing this piece for concert or recital.
From J.L. Small's Twenty-Seven Melodious and Rhythmical Exercises, the favorite Etude No. 16 (Allegro) is given a piano accompaniment, making it suitable for recital and concert programming.
One of a number of pieces that Fritz Kreisler credited to historical composers and then later revealed as his own original compositions, this crowd-pleaser exemplifies simple beauty. An elegant choice for a
Edited and arranged by Curtis Peacock. For tuba & piano reduction. Custom print edition. Score and part.
Marked to be played "vigoroso e marcato," this is a fun, enjoyable work that very nicely blends fun and musicianship.
Edited by soloist Elisa Koehler, this edition strives to build a bridge between scholarship and performance traditions in order to provide viable options for both the purist and the practitioner. Printed
David Bennett's Darkwood, composed for alto clarinet and piano, begins Lento and transitions to a lively tempo halfway through the piece. The triplets in the Allegro section bring an
Felix Vivier's Enchantress, written for alto saxophone and piano, opens with an elaborate and decorative cadenza. Originally written in 1925, this piece features a simple Waltz tempo and a
This collection includes ten titles arranged for the average cellist in a variety of styles and will surely produce beautiful results. Contents include: Come Thou Fount of Every Blessing; O Worship the
The special capabilities of the clarinet are given full expression in these refreshing arrangements. Contents include: Amazing Grace; Come Thou Fount Of Every Blessing; Let Us Break Bread Together; Now