The tune EVENTIDE is given fresh treatment that maintains the beauty of the original hymn. Written in 12/8, the flowing piano accompaniment establishes the mood for the entrance of the choir. Independent

Donald McCullough includes an interesting and lush organ part to accompany an original melody set to a familiar Lenten text. The part-writing is accessible and the altos are featured as a

Originally conceived with full orchestra accompaniment, this glorious setting of LASST UNS ERFREUEN also works well with organ accompaniment. The choral texture varies by stanza and includes some choral

This arrangement of the Spanish Toda la Tierra tune is set in a hymnlike form, yet the music never feels static as each statement is given a variety of textures throughout. From a simple

This creative hymn concertato begins with an organ and brass fanfare followed by the congregation singing the CORONATION tune and alternating verses with the choir singing the DIADEM tune. Bright and

A joyful and rhythmic setting of the beloved 19th century text, this has nice vocal ranges and a clean, classic feel. The newly composed melody captures all of the buoyancy inherent in the lyrics. For

This compelling hymn concertato weds the tune EARTH AND ALL STARS with a majestic text by Herbert Brokering. It is scored for SATB choir and organ with optional congregation. Optional parts for brass

Flute, oboe, and hand drum introduce and accompany this SATB a cappella setting that pairs Newton's traditional text with the tune GREENVILLE, an American melody in flowing 6/8 meter. The vocal parts are

This stirring setting of the well-known hymn by Charles Wesley will be meaningful to both choir and congregation. An independent organ accompaniment supports fine choral writing. The last verse soars with a

This arrangement of the familiar carol begins very much like a traditional four-part setting but progresses in the expansion of the choral parts as the piece develops. The voice leading is superb and

Gentleness, warmth and light shine through this beautiful Christmas anthem. The text by Edward Caswall first appeared in Carols Old and Carols New in 1916. A beautiful and poetic retelling of the Christmas

Here is a gentle a cappella setting of the traditional prayer to Mary. The texture is chordal throughout, with occasional sharp dissonances to add a shimmering effect. For directors with a capable soprano

Arranged by the director of The Spirituals Project at the University of Denver, this thoughtful spiritual reflects the emotion of an enslaved people and also speaks to the general human desire for a balm to

While the text is from the traditional hymn, the composer has written an original melody with flowing piano accompaniment for the first two verses. The hymn tune SLANE then appears as an interlude leading

This simple but lovely reimagining of the iconic hymn features a gentle syncopation of the familiar SLANE melody. The text, while similar to the traditional, has a more socially responsive slant that will

A lilting 6/8 setting of Psalm 103, this is scored for SATB voices, descant, and congregation, with piano and optional 3-5 octave handbells. First the choir sings the antiphon and the congregation copies

Michael Larkin has created a lovely setting of Revelation 14:13 that is expressive and approachable, for All Saints as well as for memorial or funeral services. It may be performed a cappella or with piano

A sumptuous banquet of six Christmas carols, this festival setting includes two verses each of Lo, How a Rose E'er Blooming; Infant Holy, Infant Lowly; Winds Through the Olive Trees; Ding Dong! Merrily

This four-movement suite of traditional carols includes Once in Royal David's City; Sing We Now of Christmas; Still, Still, Still and Angels We Have Heard on

A lovely and flowing setting of the wonderful ST COLUMBA tune matched with the familiar Henry Williams Baker text based on Psalm 23, this arrangement is in a Celtic style that evokes a sense of serenity and

Eric Nelson's treatment of this Norwegian favorite is extraordinary! Thoughtful choral writing brings out the most in the choir, and the piano part is creative and lush, particularly in the interludes. The