Philippians.4

Ten pieces expertly arranged by J. Micahel Case. There are familiar titles like O Holy Night and Panis Angelicus and other works not widely known. Lesser known pieces by Corelli, Arne, Holst,

The tune EVENTIDE is given fresh treatment that maintains the beauty of the original hymn. Written in 12/8, the flowing piano accompaniment establishes the mood for the entrance of the choir. Independent

Donald McCullough includes an interesting and lush organ part to accompany an original melody set to a familiar Lenten text. The part-writing is accessible and the altos are featured as a

A useful collection of pieces based on six Lenten hymn tunes, this also includes a five-movement partita on HERLIEBSTER JESU. Beautifully written and extremely useful. Contents: The Glory of These Forty

Michael Larkin has put together a wonderfully crafted collection of hymn-based and original tunes in that will work well in your church service or at home. These settings are straightforward and not too

Originally conceived with full orchestra accompaniment, this glorious setting of LASST UNS ERFREUEN also works well with organ accompaniment. The choral texture varies by stanza and includes some choral

This arrangement of the Spanish Toda la Tierra tune is set in a hymnlike form, yet the music never feels static as each statement is given a variety of textures throughout. From a simple

This creative hymn concertato begins with an organ and brass fanfare followed by the congregation singing the CORONATION tune and alternating verses with the choir singing the DIADEM tune. Bright and

A joyful and rhythmic setting of the beloved 19th century text, this has nice vocal ranges and a clean, classic feel. The newly composed melody captures all of the buoyancy inherent in the lyrics. For

This compelling hymn concertato weds the tune EARTH AND ALL STARS with a majestic text by Herbert Brokering. It is scored for SATB choir and organ with optional congregation. Optional parts for brass

Flute, oboe, and hand drum introduce and accompany this SATB a cappella setting that pairs Newton's traditional text with the tune GREENVILLE, an American melody in flowing 6/8 meter. The vocal parts are

This stirring setting of the well-known hymn by Charles Wesley will be meaningful to both choir and congregation. An independent organ accompaniment supports fine choral writing. The last verse soars with a

This arrangement of the familiar carol begins very much like a traditional four-part setting but progresses in the expansion of the choral parts as the piece develops. The voice leading is superb and

Gentleness, warmth and light shine through this beautiful Christmas anthem. The text by Edward Caswall first appeared in Carols Old and Carols New in 1916. A beautiful and poetic retelling of the Christmas

A set of pieces for organ and brass quartet (two trumpets and two trombones with optional French horn). The pieces are antiphonal in nature, with the organ mostly in dialogue with the brass. A must for your

Clay Christiansen, now retired as organist at Salt Lake Tabernacle, brings his impeccable taste and elegant style to ten well-known hymn tunes. He has held his virtuosic capabilities in check to create

Here is a gentle a cappella setting of the traditional prayer to Mary. The texture is chordal throughout, with occasional sharp dissonances to add a shimmering effect. For directors with a capable soprano

Arranged by the director of The Spirituals Project at the University of Denver, this thoughtful spiritual reflects the emotion of an enslaved people and also speaks to the general human desire for a balm to

This moving anthem based on the calming text found in Psalm 46:10 will be very welcome in your worship services. The stillness of the text is matched with a lovely original melody and piano accompaniment.

While the text is from the traditional hymn, the composer has written an original melody with flowing piano accompaniment for the first two verses. The hymn tune SLANE then appears as an interlude leading