Jackson effectively intersperses sonorous polyphonic passages for full choir with spoken text and murmuring ostinato motifs in free time.

Evocative and moving polyphony paired with a text meditating on mankind's relationship with God.

This rich arrangement of the second movement of Rachmaninov's Second Piano Concerto for wordless a cappella voices was written for Harry Christophers and The Sixteen. Chilcott artfully reimagines a

Parry presents a fresh take on this popular 15th-century macaronic carol through appealing imitation, strong rhythmic interest, mixed meter, and imaginative harmonic language, culminating in a satisfying

Commissioned by the London Festival of Contemporary Church Music, this short work sets the Eucharistic hymn by Thomas Aquinas. It starts with an expressive, rhythmic soprano line, and finishes with a calm,

This dramatic setting of a 5th-century Ambrosian hymn perfectly epitomises the jubilation of the text. Rhythmically complex and involving some tricky melismatic passages, it is particularly suited to

This setting of an elegiac text by Richard Brett conveys the themes of grief and remembrance. The piece opens with a single voice that grows into a warm chordal passage before gaining momentum with

This joyful setting of the Alleluia was written for the 2020 Amabile Festival in London, Ontario, at which Sarah Quartel was the guest composer/clinician. The original scoring was of children's choir