With Grieg's characteristic lyrical style and Romantic chromaticism, this unaccompanied work is written with mostly homophonic textures. Grieg's setting of this sacred Latin text occasionally divides into

Stanford’s setting of this Latin text for six unaccompanied voices ventures into limited polyphony in a late Romantic, lyrical style. Piano reduction included.

This classic folk tune in a stylistic concert setting mimics the instruments associated with this style of music.

This challenging motet in Latin for six unaccompanied voices is an example of the height of Renaissance polyphony in England. Piano reduction included.

One of the numerous folk-song arrangements by Holst for unaccompanied mixed choir, I Love My Love takes the traditional Cornish melody through all the voices. Innovative textures and intriguing

Lush, dense harmonies characterize this eight-part setting of text from the Requiem Mass. Challenging even for accomplished choirs, the work involved in rehearsing the piece will be rewarded by moving