Bongo and hand drum accompaniment highlight this intensely rhythmic African-styled work. The simple "alleluia" text allows the melodic and rhythmic ideas to take flight. With exciting vocal
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This unique call-and-response piece inspired by African folk idioms is a truly unforgettable worship offering. The choir sings in English and Swahili, with a pronunciation guide and alternate English text
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A setting of a South African hymn in the isiZulu language. Written for solo and choir, the solo sections may be sung by a small group. Djembes may be included for concert performances, and body movement is
The text of this traditional Hebrew song comes from the Thirteen Articles of Maimonides, a revered 12th-century rabbi, translated as "I believe." Sung by many Jews who were victims of the
Sizzling with celebratory rhythmic energy, this Zambian folk song loosely translates as: "Those who sing have the right to be called the children of God." The only accompanying instruments are hand drum
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This lively original, with its infectious melody and interactive harmony, weaves two very basic French phrases with "alleluia" to create a delightful offering. Joyful, fun, and extremely accessible,
Featuring the traditional Cherokee words and music for One Drop of Blood and Morning and Evening Hymns, this authentic arrangement is perfect for Native American Ministries Sunday or any
With Gnothi Safton, composer Jim Papoulis raises the profile of Boomwhackers out of the elementary classroom and onto the concert stage. Including an original inspirational text that urges young
The use of a djembe imparts a traditional African feeling to this easy original a cappella work. The Gatsnahos text, inspired by John Donne, has a theme of friendship and unity that all can relate to. "We
A bright, jubilant song of welcome! All God's children will be moving to the rhythm of this multicultural original, which incorporates Swahili text and percussion parts for shaker, djembe and congas. A
This clever combination of an African spiritual and an English folk song creates a world music showcase for tenor-bass choirs. A solo feature with stacked harmonies and improvised vocal percussion, this
This timely text from the Jewish liturgy is brilliantly set in a lovely original work. Its simple message of peace is enhanced with soaring melodies and lyric instrumental lines, making it a strong choice
Full of life and energy, this work in Spanish and English expresses the plea of Mexican children to the rest of the world to listen to their cry for help. The percussion and bass parts (included in the
Choose to sing this traditional Botswanan song in either Setswana, Swahili, or both. An underlying rhythmic energy and solid stacked harmonies support the solo lines in the opening and closing sections and
On a theme of prayers for peace, the melodic material seems reminiscent of music that one would hear in a Jewish morning service, with a melody that the singers and listeners will carry with them
Fun to sing and surprisingly rehearsal-friendly, this South African musical celebration of freedom and hope is sure to have instant appeal. Lending itself to simple stage choreography and with an exciting,
A stellar setting for developing singers of the well-known South African folk song, with logical part-writing, stylistic rhythms, and an energized accompaniment! The optional percussion parts for shaker,
Brad Nix has hit a home run with this engaging and energetic arrangement. While some of the rhythms have been simplified, the piece keeps the overall feel and marching style. The accompaniment is
Perhaps the most well-known South African song, but offered here in a unique arrangement with original material in between verses that layers in with the traditional melody and harmonies. Ranges are
Totally singular, this African-flavored choral teaches an important life lesson. Honesty and integrity are the heart of the text, and the use of Swahili makes this an amazing multicultural opportunity. The
Rejoicing abounds in this multi-cultural selection! The Swahili refrain is easy to learn and the English stanzas provide a good balance to the primary melody. African drums and hand claps add to the