Register Today for the New Sounds of J.W. Pepper Summer Reading Sessions - In-Person AND Online!  | 
Register Today for the New Sounds of J.W. Pepper Summer Reading Sessions - In-Person AND Online!  | 

Allegories for Flute, Euphonium, and Piano

Sy Brandon - Co-Op Press

Allegories for Flute, Euphonium, and Piano Product Thumbnail 0 Product Thumbnail 1 Product Thumbnail 2 Product Thumbnail 3 Product Thumbnail 4 Product Thumbnail 5 Product Thumbnail 6 Product Thumbnail 7 Product Thumbnail 8 Product Thumbnail 9 Product Thumbnail 10 Product Thumbnail 11 Product Thumbnail 12 Product Thumbnail 13 Product Thumbnail 14 Product Thumbnail 15 Product Thumbnail 16 Product Thumbnail 17 Product Thumbnail 18 Product Thumbnail 19 Product Thumbnail 20 Product Thumbnail 21 Product Thumbnail 22 Product Thumbnail 23 Product Thumbnail 24 Product Thumbnail 25 Product Thumbnail 26 Product Thumbnail 27 Product Thumbnail 28 Product Thumbnail 29 Product Thumbnail 30 Product Thumbnail 31 Product Thumbnail 32 Product Thumbnail 33 Product Thumbnail 34 Product Thumbnail 35

Allegories for Flute, Euphonium, and Piano

Sy Brandon - Co-Op Press
Publisher Desc.  Allegories is a five-movement composition based upon Aesop's Fables. It was commissioned by and dedicated to Frank Meredith. The first movement "The Trumpeter Taken Captive" is a fable about how one's actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. "The Boy Who Cried Wolf" is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd's tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of "The Goose That Laid The Golden Egg." A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named "The Fisherman and His Flute." This short fable has the allegory of "timing is everything." The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says "you bloody fish, when I played the flute you wouldn't dance, but as soon I stopped, you started up." The race between the "Tortoise and the Hare" is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.
Select a Product
Preview
My Library
Description
Number
Level
Price
Qty
Currently Viewing
Flexible Instrumentation Trio 
#11423132

Publisher ID: 201910
11423132
AAdvanced
$14.95
My Library
What is My Library?

Customers Also Bought