This is the sixth movement of For a Breath of Ectasy and is scored for SATB chorus, oboe, and string quartet or piano. Using a lush accompaniment and homophonic choral writing, the music

This first movement from For a Breath of Ecstasy has accessible choral parts and a very active accompaniment to open, representing the "my thoughts" part of the text. A contrasting middle section

After a calm start in this fourth movement from For a Breath of Ecstasy, a rhythmic motive begins in the bass clef of the accompaniment and intensifies as the singers enter with the first statement

In this fourth movement from For a Breath of Ecstasy, the instrumental introduction leads to a completely a cappella setting of this Sara Teasdale text. This movement is slow, lyrical and hymn

This final movement from For a Breath of Ecstasy begins rhythmically as the first movement did. In fact, the writing touches on moods and motives in many of the other six movements, although the

This setting of the Mother Goose nursery rhyme is a lullaby disguised as a ballad. Scored for mixed chorus and jazz trio, it can alternately be performed with three hands on a piano. The tight harmonies and

This setting of the Mother Goose nursery rhyme is funky and fun! The scoring is for mixed chorus and jazz trio, but it certainly could be performed with just a piano. The choral parts are very accessible,

This piece is a combination of two traditional Scottish tunes: Wild Mountain Thyme, sung by tenor-bass chorus, and the popular Scottish reel Whiskey Before Breakfast, played