Luke.2

Adoration was inspired by Revelation 5:13. “Then I heard every creature in heaven and on earth and under the earth and on the sea, and all that is in them, saying: ‘To him who sits on the throne

The beloved spiritual is set with jazzy harmonies and swinging rhythms. A fresh addition to your concert repertoire.

Adore Te Devote is an old French church tune, listed in the Processionale in 1697. This arrangement is a four-part, or voice, fugue. As the subject is repeated in the successive voices,

Exaltations was inspired by Psalm 100:4. “Enter his gates with thanksgiving and his courts with praise; give thanks to him and praise his name."

In Your Midst was written for and premiered by Danielle Sampson in February 2017. The text is a paraphrasing done by the composer of the ancient Hebrew text Zephaniah 3:17.

Lahairoi is a Hebrew word which means “The well of the Living One who sees me” and was inspired by Genesis 16:13. “She gave this name to the Lord who spoke to her: “You are the God

In Emily Dickinson's poem, written c. 1862, the opening line is especially hymn-like, declaring a faith greater than the greatest natural phenomena. Hills and sun stand for eternity, yet her religious faith

Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal flute in

Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal

Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal

Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal

Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal

Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal

Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal

Hector Berlioz's magnificent 1854 Christmas oratorio, L'Enfance du Christ ("The Infancy of Christ"), features the wonderful Shepherd's Farewell, a softly rocking lullaby to the Christ

Hector Berlioz's magnificent 1854 Christmas oratorio, L'Enfance du Christ ("The Infancy of Christ"), features the wonderful Shepherd's Farewell, a softly rocking lullaby to the Christ

Hector Berlioz's magnificent 1854 Christmas oratorio, L'Enfance du Christ ("The Infancy of Christ"), features the wonderful Shepherd's Farewell, a softly rocking lullaby to the Christ

Hector Berlioz's 1854 Christmas oratorio, "L'Enfance du Christ" ("The Infancy of Christ"), features the wonderful Shepherd's Farewell, a softly rocking lullaby to the Christ child, here transcribed

Originally scored for double vocal chorus, this responsory from the Office of Matins for the Feast of the Assumption by Victoria has been freshly transcribed for two identical brass quartets of two trumpets

The composition Wandering was written for French horn or Alto Saxophone, and was inspired by Psalm 119:10 CSB - "I have sought You with all my heart; don't let me wander from Your