This wonderful text has accessible settings by David Ashley White for either two-part or SATB choir with an optional C instrument. Different textures are used throughout, and many sections are a cappella.
Craig Phillips has crafted a beautiful setting of the familiar benediction from the Book of Numbers, "The Lord bless you and keep you...." Each choral part moves expressively with Phillips' rich harmonic
This bright and joyous choral fanfare celebrates the joy of Easter with the familiar words of St. John of Damascus. The optional brass quartet and timpani parts are not at all difficult, making them easily
These five unaccompanied pieces by Sarah MacDonald are useful as introits or short anthems throughout the church year. Although several can be attached to certain feasts, seasons, or occasions (Eastertide,
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This is a rich and glorious anthem in the spirit of Phillips’s popular The Risen Sun. Words from the book of Romans serve as the text, which speaks of "being not conformed to the world." The
The familiar benediction from the Book of Numbers receives an expressive a cappella treatment with lush and comforting harmonies. Easy and hymnlike, but with interesting parts for all four voices, it is
An effective, simpler choral setting of the Magnificat for Advent or evensong that alternates between SA and TB and unison for varied texture. Carl Daw's paraphrase is a wonderful contemporary resetting of
This exquisite motet by sister and brother duo Elizabeth and Thomas Coxhead has already seen many performances and is sure to become a favorite of many choirs. The music is simple and lyrical, supporting
Sarah MacDonald wrote this set of treble-voice responses for her Ely Cathedral Girls' Choir with the intention that they be "easy and stress-free" (especially for times when the students were busy with
This anonymous 19th-century text, best known from Ned Rorem's classic motet, receives a flowing and lyrical accompanied setting by Sarah MacDonald based on one of her own hymn tunes. Various performance
Psalm 139 is filled with memorable verses, and David Ashley White has chosen two for this lyrical anthem. The rising and falling melodic lines have a yearning quality that fits the invocatory nature of the
This two-part mixed arrangement is well crafted and exudes healing and comfort. The harp-like accompaniment supports simple imitative vocal textures. An excellent anthem for smaller choirs or slim
Words from Isaiah 42 make this an excellent anthem for occasions celebrating service, especially ordinations, anniversaries, and retirements. Fedak's dignified and lyrical music is homophonic and easy to