This inspirational text by Henry Wadsworth Longfellow is framed with a rhythmic ostinato in a crisp a cappella setting. The piece may be performed SSA with optional solo or SSAA with equally divided voices,

From a three-part collection based on poetry by American pioneers, this third piece depicts a barn dance as vocalists circle 'round the instruments, stomp, clap, and perform with general

Agnus Dei is the fifth and final movement of Dr. Thomas' Mass: A Celebration of Love and Joy. The text is in English, and the supercharged piano accompaniment supports the traditional

This selection is a gentle lullaby based on an old Welsh folk song. With limited divisi towards the end, it has beautifully lyrical writing and will be a warm and welcome addition to any concert.

The ancient joy-filled word "Alleluia" is paired with contemporary harmony and gently syncopated rhythms that sometimes function as an ostinato. Independent parts weave in and out to create a brilliant

Beautiful modern a cappella divisi harmonies set this short text in both Latin and English that encourages us all to find the hope within. Sections alternate between serene slow-moving harmonies and quicker

This setting of one of our most beloved patriotic hymns emits true sincerity and passion. The accompaniment is compelling and the harmonic surprises are deeply satisfying. Instead of offering us just

American Triptych presents aspects of spiritual experience as expressed by three North American poets: Americans E. E. Cummings and W. S. Merwin, and Canadian Bliss Carman. The first movement, i thank

American Triptych presents aspects of spiritual experience as expressed by three North American poets: Americans E. E. Cummings and W. S. Merwin, and Canadian Bliss Carman. The second movement, a modern

American Triptych presents aspects of spiritual experience as expressed by three North American poets: Americans E. E. Cummings and W. S. Merwin, and Canadian Bliss Carman. The third movement, Mariner's

This is the sixth movement of For a Breath of Ectasy and is scored for SATB chorus, oboe, and string quartet or piano. Using a lush accompaniment and homophonic choral writing, the music

"O what are all my sufferings here compared to life above?" This Charles Wesley text is set to a sturdy tune by William Walker, compiler of shape-note books such as Southern Harmony. It celebrates our

Sung in Hebrew with a traditional Jewish tune, this musical arrangement is haunting and profound. The text, from the 13 Principles of Faith, is a statement of faith and hope. The violin part is not an

Ao bao Xiang Hui means "Let us meet at the ceremonial mound." The erhu or violin presents the folk song complete with traditional ornamentation and deliberately marked by tone chimes. The

This piece explores the theme of hope through a rich homophonic texture, contrasted with a brief solo section in which individual voices punctuate a dissonant background swirling with brief melodies. Rising

A high-energy Celtic setting of the familiar tune, this is a great closer for seasonal concerts.

This tranquil original work celebrates the metamorphosis from fall into winter. A perennial favorite selection for fall concerts, the text and tune capture the turning of the leaves in song.

Kevin Memley has risen to be recognized as one of the finest craftsmen in the choral arts. His reputation is strengthened with this gorgeous setting of the Ave Maris Stella (Hail Mary, Star of the Sea)

Straightforward rhythms, dissonances, and close harmonies depict the clear and radiant divine essence of this a cappella meditation on the angel Gabriel's greeting to Mary. A poetic translation is included,

The original 14th-century plainsong is the point of departure for a fresh, new setting of this Latin text. This gorgeous work is suitable for advanced ensembles in either a secular or sacred

This artful unaccompanied setting of Away in a Manger opens with a gentle original "away" theme that connects the verses and leads to a satisfying close. The carol sections are full of rich

This a cappella arrangement of the traditional Irish hymn is absolutely stunning! Expressive tempi and dynamics, along with ample divisi, offer an exquisite choral sound as well as an artistic challenge.

Beginning with a single-lien chant, the music moves through echoing counterpoint into ever more anxious, short phrases before opening into a gentle waltz that urges us to "see all this light". The poet

In this original choral setting of the spiritual Rockin' Jerusalem, the bells are intended to imitate the sounds of gunshots in a rallying cry for justice. The intensity and depth of this