Inspired by the classic carol text Silent Night, Holy Night, this setting moves beyond its source material and delivers an exquisite portrait of Christmas grace. A memorable melody propels the

Dynamic and powerful!  The glory and grandeur of our nation is ever present in this tremendous arrangement.  Beauty abounds in both the choral, orchestral and optional trumpet parts. Guaranteed to

Sometimes the mere thought of Christ's immeasurable love can wash over the believer in an overwhelming wave. This choral anthem is reserved for those moments in worship. Using Charles Wesley's

This thrilling carol arrangement begins with a hush and builds in momentum, invoking images of the angel hosts gathering into a multitude to announce Jesus' birth. With just a few

Although Rosephanye Powell often selects sacred texts for her music, it is the uniqueness of her writing style that enables it to serve both in worship and concert. Ascribe to the Lord, one of her

A glorious message, this hymn-style anthem reminds us that our work as keepers of faith is ever present. "Till the race is finished and the work is done we'll walk by faith and not by sight." Beautiful

Infectious and jazzy, with a dash of handbells thrown in for good measure, this original piece will bring enjoyment to all who hear it! A verse of O Come, O Come, Emmanuel is blended in the middle

Familiar strains of Angels from the Realms of Glory blend effortlessly into this multigenerational setting for adult choir and optional children's choir. Orchestration for flute, strings, and

"Chestnuts roasting on an open fire..." This holiday classic was a signature song for Nat King Cole, and it's simply one of the most famous and favorite Christmas songs of all time! Mark Hayes' lush

Based on the original Michael W. Smith Christmas song, this celebratory setting is teeming with energy and joy. Arranger Lloyd Larson blends in Angels We Have Heard on High and offers an optional

Commissioned for a premiere performance at the Texas Music Educators Association 2000 convention, Joseph Martin's Come to the Music is alive and electric with driving rhythm, memorable melodies,

The third in a set of three songs titled Love Was My Lord and King! based on the poetry of Alfred Lord Tennyson. For TTBB chorus and chamber orchestra or piano. Commissioned by the Orpheus Male

The first movement of the trilogy Divine Encounter is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as a celebration rather than the meditative,

The second movement of the trilogy Divine Encounter is based on Micah 6:8 and is a regal and stately expression of our gratitude. As we partake of God's bounty, we are urged to offer ourselves as