Classical Music for String Orchestra

This magnificent and meticulously presented arrangement includes the gorgeous opening in the original key of E-flat major, the exciting C minor imitative, and the transitional section arriving at the iconic

Acis and Galatea are Greek mythological figures. Galatea loves Acis, a shepherd boy. However, envious Polyphemus - a petty god - smashes Acis with a boulder, and the bereaved Galatea turns him into a

Give your students the opportunity to learn Romantic-era playing techniques as well perform some of the most beloved classical literature from one of its greatest composers. This very authentic

This exceptional arrangement will give more developed string musicians a broader knowledge of the classical repertoire as well as experience with Baroque-style playing techniques.

Written by Mozart during his first concert tour of Italy at age 14-15, this well-known work was written in the style of an Italian overture of the time. This noteworthy arrangement is extremely accessible

All the power and force of the Finale of Bruckner's Eighth Symphony is masterfully captured in this authentic and first-ever arrangement for string orchestra. Mature players will have the

Peter Ilyich Tchaikovsky's three masterpiece ballet scores, including Sleeping Beauty, are known for their timeless music. This arrangement for string orchestra captures the enduring

In this orchestral excerpt from Joseph Bologne's only surviving opera, L'Amant Anonyme (The Anonymous Lover), students will learn how to play in the Classical-era style, 6/8 meter at a

Colorful and graceful, this accessible arrangement begins in G major, transitions to G minor, then back to G major. Although Respighi composed the movement from his first suite in 1917, it captures a

The energy and excitement of this thrilling overture are exquisitely captured in an approachable setting for intermediate orchestra! Equally suited as an opener, closer, or anything in between, your

The original is considered one of Europe's most influential recordings and was added to the Library of Congress National Recording Registry in 2004. The song is a fusion of ragtime and march styles, while

Ralph Vaughan Williams' charming suite of dances in the English style is a mainstay of the string orchestra concert repertoire. Adapted in collaboration with the composer from the 1921 Suite of Six

Joyous and uplifting, this is a wonderful example of the mature Baroque compositional style. Scored for intermediate string orchestra at medium difficulty, this arrangement uses many of the voicings of the

Bring this classic center stage with this great arrangement for string orchestra. An excellent opportunity to teach Baroque playing techniques as well as expand your musicians' knowledge of Baroque

Samuel Coleridge-Taylor was extraordinary in his use of themes from African American folk music, and his success contributed to the empowerment of African American musicians and composers who came after

Originally written for solo piano, this captivating piece has become one of Coleridge-Taylor's most beloved works. With this arrangement, Grade 4 string orchestras can experience the beauty and warmth of

This pice is extracted from a six-movement work composed in Salzburg in 1776. The original oboe and horn parts have been redistributed among the strings in order to share melodic interest among all players.

The 5th and final movement from "Capriccio Espagnol" is a fiery Spanish dance, colorful and rich from start to end. This arrangement in A major features three optional percussion parts (triangle, castanets,

A spellbinding exploration of the music of Spain, these four exciting yet contrasting sections offer challenging parts for all players. From unrelenting rhythmic drive to beautifully lyric emotion, three of

Here is the original and beloved fantasia that calls for string orchestra, harp, and two soloists-usually flutes but often substituted with violins. This lush arrangement of the English folksong is a

Nicknamed "Prague" after the city of its premiere, Mozart's Symphony No. 38 followed quickly after the resounding success of his opera The Marriage of Figaro, which also premiered in 1786. This