"Unto thee, O Lord, do I lift up my soul." The hymn for the first Sunday of Advent, Psalm 24 (25) soars in this setting for double choir. Sustained vocal lines, chain suspensions, and antiphonal writing

The traditional Latin text Senex puerum portabat explores the mysterious paradox of the Incarnation. As befitting the text, this a cappella motet is at once both ancient and modern in its construct

Using "Alleluia" as the sole text, this piece takes the listener on a journey from a fanfare opening to a reflective middle and a triumphant end. Commissioned by the Orpheus Chamber Singers, this

The eighth and final movement from Heaven and Earth: A Song of Creation, a unique collaborative work by six different composers active in different repertories of Eastern Orthodox Christian sacred

For double choir and solo violin, taken from the larger work Whispers on the Prairie Wind for orchestra and choir which premiered in 2015 with the subtitle Farewell to My Friend. This is a

This is a popular devotional song among Arabic-speaking Christians. Opening with a verse in Arabic, the anthem transitions to a call-and-response verse with the men singing in English and the women

Here is a piece that can be used as a choral introit or a processional during the Christmas season. It also functions as a seamless introduction to the congregational singing of The First Noel.

A children's choir, or an optional soloist, and an adult choir join forces in this original antiphonal anthem calling for all to rejoice in Emmanuel's coming. The call-and-response technique is used to

This breathtaking 20th-century work has been made famous by international performances of the San Francisco-based ensemble Chanticleer. Conceived in the style of the alternatum plainsong, the composition is

This piece takes William Byrd's famous motet and reimagines it for three unaccompanied choirs. Using plainsong against canon and dense layering that gives it an ancient texture, this challenging selection

This reflective hymn takes the listener from the communion table all the way to fellowship in heaven with Christ. The flexible arrangement allows for choirs to choose a SATB or SAB voicing, and the

Extracted from the fourth movement of the larger work "Missa Romantica," this setting of the traditional Latin text appears in two versions: the first is accompanied as it appears in the larger work; the

This personal anthem of assurance will leave you feeling protected and loved by our Lord! Treated with great sensitivity, this new setting begins with children's choir singing an original song that leads to

This uplifting and inspirational declaration of freedom reflects the expansive mystery of the sea in both the text and music. The piece builds from a few repeated rhythmic motifs that alternate with

Giovanni Gabrieli, an Italian composer and organist, was one of the most influential musicians of his time, representing the culmination of the Venetian School. This setting of Psalm 98 is scored for double