Luke.2

This collection is a great way to add to your hymn singing without a lot of fuss. Each hymn has an introduction, a stanza with standard harmony and the trumpet playing the melody, and a stanza with

Ten pieces expertly arranged by J. Micahel Case. There are familiar titles like O Holy Night and Panis Angelicus and other works not widely known. Lesser known pieces by Corelli, Arne, Holst,

This collection of sacred and classical arrangements will be useful for worship or concert. As in Volume 1, several hymn settings are included: Creator of the Stars of Night (Lemmons); O Sacred

100 Ultimate Jazz Riffs for Organ authored by Andrew D. Gordon consists of, as the title suggests, 100 Jazz riffs based on common chord progressions used in jazz such as II-V-I, III-VI-II-V etc.

This set of introductions and reharmonizations displays a wide range of styles and is very creative. A welcome edition for those playing services each week.Tunes: ALL IS WELL; ANTIOCH; ASSEMBLY; DUKE

Completing the series, with titles numbering 8-22, this volume offers 21 preludes for organ of varying length, difficulty, and seasonal use. Five skillful arrangers have contributed to this collection.

An exciting collection of alternate harmonizations, as well as introductions, interludes and modulations for 25 of the best-loved hymn tunes.  A great addition to your service music library! 

The fervor of singing in congregations served by this composer is a testament to the effectiveness of these arrangments. This useful collection of last-stanza reharmonizations spans the church year and

These short trios were designed to be performed as hymn introductions, short preludes or brief hymn meditations. They are accessible, flexible, and will prove a welcome addition to the library of organists

Franklin Ashdown's exciting collection contains a postlude for every season of the church year. The postludes for Advent through Easter are each based on a familiar hymn of the season, and the book

This volume covers the period from the Vigil of Pentecost through the 17th Sunday after Pentecost. Thematic material for each piece is taken from one of the Propers of the Mass (Introit, Gradual,

This partita is based on Martin Luther's best-known chorale and utilizes both its rhythmic and isometric versions. The first movement may also be used as an accompaniment to the rhythmic version, just as