MUELLER and CRADLE SONG, two tunes commonly associated with this carol text, are blended beautifully with verses in both English and Spanish. The melodies and languages are woven together seamlessly,
A minimum quantity of 8 is required on this title.
This stunning carol tapestry includes threads of The Coventry Carol; What Child Is This; Noel Nouvelet and original thematic material along with new words. With conservative
This fresh take on a familiar 15th-century Christmas text artfully utilizes dotted rhythms in 6/8 meter to create a lilting feel, and the memorable melody for the carol text passes through each of the voice
A minimum quantity of 5 is required on this title.
A la Nanita Nana and Coventry Carol sing one after another in this gentle choral setting. The piano rocks sweetly below the lilting text, creating a unique pairing of the familiar carols.
A minimum quantity of 10 is required on this title.
A great way to add sparkle to your Christmas or holiday program, this festive number for treble voices is joyful and powerful. With a bell-like accompaniment, antiphonal singing, and text adapted from
This beloved 15th-century French carol is beautifully arranged for an emerging tenor-bass choir to accommodate changed and unchanged voices. With unexpected harmonic modulations in the middle section, it
Written for the developing or advanced treble ensemble, this original setting of the beloved Rosetti text is just lovely. An undulating piano part, chilling harmonies, and a nod to Holst's melody paint the
Hark the Herald Angels Sing; O Come All Ye Faithful and Angels We Have Heard on High are reworked into a mash-up arranged perfectly for middle school voices. A quick learn that
A beautiful way to prepare for the season, this medieval carol is arranged with lyrical lines that bring both freshness and familiarity. The piano accompaniment provides exciting movement with driving
Two short contrasting movements may either stand on their own or combine into one longer setting. The Gloria setting is upbeat, rhythmic, and fanfare-like, while the Alleluia is quiet, introspective and set
An original work, this homophonic setting offers a new perspective on the beloved carol's text. Options for violin obbligato and solo, quartet, or small ensemble singing are included.
"O light born of light." This traditional Latin text shimmers in a stunning a cappella setting with thoughtful voice leading and cluster harmonies. Accessible enough for concert or service use, it will make
A minimum quantity of 25 is required on this title.
Written for full brass ensemble, organ, soprano solo, and chorus, this 17-minute single-movement setting of the Gloria explores a wide range of musical writing. The result is an extended work that
Sweeping, emotive choral lines envelop Eugene Field's well-known poem Christmas Eve in this beautiful lullaby setting from a Hollywood film score composer. Lush harmonies allow choirs to express
Here is a fresh take on the beloved French carol! In the exact arrangement made famous by Brigham Young University's a cappella group BYU Noteworthy, this contemporary setting is in 6/8 for a gently lilting
Taking after Benjamin Britten, this collection of seven Christmas carols are settings of English texts from the 15th and 16th centuries for choir with piano or harp accompaniment. Composed following
This ancient carol of lament is beautifully arranged with unison lines and subtle harmonies that perfectly complement the spirit of the piece. Arranged for the VOCES8 Scholars and APOLLO5, it remains
Arranged for and performed by the BYU Men's Chorus, this setting of Pat-a-Pan is scored for TB (optional TTBB) voices, snare drum, piccolo, and piano four hands. Staying true to the
This a cappella arrangement as performed by BYU Noteworthy spreads the beauty of this popular Christmas song across many voices lifted in praise. Scored for soloists and choir, share this O Holy
This unusual pairing of the Ukrainian Carol of the Bells and the spiritual Wayfaring Stranger provides a stunning arrangement as performed by the a cappella group BYU Vocal Point. Set
Haydn's eighth setting of the ordinary of the Mass was composed in 1782 for performance in Mariazell, Austria. The brief opening portion of the Gloria has been selected for this anthem, featuring Haydn's
A reflective take on a well-loved carol, this a cappella setting has a fresh contemporary perspective that singers and audiences will love.
This lyrical setting blends the beloved Silent Night tune and text with a captivating new tune, featuring an optional oboe obbligato that gives a unique color to the piece. The result is a fresh
The vivid vocal tapestry in this arrangement features soaring melodic lines, rich harmonies, and imaginative text painting. The fluid, supportive piano accompaniment paired with the optional oboe part