Numbers.24

You simply cannot go wrong with this Matt Harris chart on this great jazz ballad ideally set as a tenor sax solo feature! The tempo is about 98 bpm with the tenor solo written and improvised.

The swingin' Quincy Jones arrangement of this standard was a Frank Sinatra signature tune.  Here's the authentic version edited and adapted for today's bands by Mike Tomaro. Vocal key: B-flat.

For the first time, here is Quincy Jones' arrangement originally written for the 1964 Sinatra/Basie studio collaboration It Might As Well Be Swing. This chart was also used a few times during the 1965

Kris Berg has composed a beautiful, sensitive and mature solo feature for B-flat, E-flat instruments or trombone. The ensemble is equally important in this setting at around 74 bpm that transitions

Jazz vocal quartet, jazz choir, or an individual vocal soloist... any way you like it, this is a great chart! It's arranged by Darmon Meader, the musical director and chief arranger for the New York Voices.

The timeless and beautiful Cootie Williams and Thelonious Monk classic is set here as a flugelhorn feature. The band and soloist get to stretch out some in a double-time interlude before returning to the

Here's an outstanding Kenton-style ballad that showcases the lead trombone and the trombone section. The chart builds during a 12/8 section which makes it an even stronger choice as an excellent ballad

This chart kicks! It's a shuffle at around 166 bpm and is a feature for two tenor saxes. This is not a duel, but a vehicle to showcase both tenor players. Sample tenor solos are provided, the