Isaiah.6

This lovely setting of Millay's touching poem requires a flexible tempo with plenty of gentle rubato to give the effect of a poem being spoken by an accomplished orator. Great teaching piece for working on

This warm and sentimental concert work features two soloists who also duet at the beginning and end, with a middle section that swells with joy. Including only the lyric "Alleluia," this piece allows the

A challenging upbeat setting for a cappella men's choir, contemporary in feel with a driving rhythm helped by claves and djembe. This interesting and fun piece is perfect for festivals!

With a chant-like modern a cappella texture, this piece includes a simple text and beautiful phrasing that allows ensembles to focus on their ensemble blend. A warm and emotive piece.

A powerful and artistic work with a nice mix of open and close harmonies and dynamic rhythms scored for four-part tenor/bass ensemble. Using the famous Dylan Thomas poem, this piece expresses the feeling of

Embracing the hope that dreams may someday become a reality, this musical setting is actively stirring, with stunning harmonic and melodic moments. It seeks to capture that internal ecstasy and

With this music (created for my children's choir) I wished to create by simple means a visualization of the arrival of the Archangel Gabriel. Here one may hear the sound of the angel wings (fly fly fly).

This poignant setting of a poem from William Blake's Songs of Innocence captures the sadness and sense of longing for lost childhood and innocence. 

A very peaceful and reflective setting of this traditional prayer. Divisi and some independence in lines are scattered throughout the work in all voices. Translation is provided.

April (I Love You) is a setting of a poem originally entitled "I love you" by one of America's most celebrated authors, Sara Teasdale (1884–1933). Born in St Louis, this accomplished and much

This interpretation of the text suggests feelings of serenity and innocence. The opening motive of this Gregorian hymn is introduced by the tenors, freely and lyrically sung, and reappears throughout the

This 18th-century Italian piece is part of a larger work, Miserere in F Minor. This edition is based on a handwritten copy by Johann Simon Mayr and is scored for treble choir with piano or optional

Beati Omnes  is a stunning a cappella setting of text from Psalms 127 and 128. Weaving beautiful melody together with rich harmonies, composer Ivo Antognini creates a work of complex textures

Here is an exuberant a cappella number that's loaded with African atmosphere! The traditional Zambian words are sung throughout with such a buoyant, rhythmic feel that you are transported into the center of

This moving selection features a smoothly flowing harmonic texture that courses throughout the piece. Warm and enveloping, The Song You Loved will be the song you love singing, whether it be for

Engaging melodic and harmonic ideas in a prayer-like setting bring new life to this psalm text. Set for a cappella voices, this largely homophonic setting uses enough modern harmonies to keep it interesting

Featuring a baritone solo, this piece in mixed meter has a Renaissance feel that expands into a divisi texture, including modern rhythms and sections of kneeling, floor patting, and stomping. In Latin

This accessible arrangement of the familiar carol includes a bit of divisi and mixed meter, making it ideal for more advanced ensembles.

This moving arrangement of a beloved spiritual speaks with authenticity. With deep rich harmonies and extended ranges, it will challenge and satisfy the mature ensemble. 

Schumann's lied about the Sandman who sprinkles sand on the eyes of people to put them to sleep has been artfully adapted for two-part treble choirs with piano. The simple strophic texture is enhanced by