Galatians 3

This is the third in my series of beautiful settings by Colin Britt of an Edna St. Vincent Millay poem. I believe that Colin has a very special way of capturing the unique atmosphere of each poem he sets.

This interpretation of the text suggests feelings of serenity and innocence. The opening motive of this Gregorian hymn is introduced by the tenors, freely and lyrically sung, and reappears throughout the

This 18th-century Italian piece is part of a larger work, Miserere in F Minor. This edition is based on a handwritten copy by Johann Simon Mayr and is scored for treble choir with piano or optional

Beati Omnes  is a stunning a cappella setting of text from Psalms 127 and 128. Weaving beautiful melody together with rich harmonies, composer Ivo Antognini creates a work of complex textures

A favorite concert piece among region treble choirs, this arrangement of the haunting American folksong of unfulfilled love appeals to middle school and high school singers. The song begins with the simple

The text of an Old English carol and a melody from Willam Ballet's Lute Book are joined together with alternating English and Latin text in this breathtaking arrangement. Set in the minor mode with

The traditional Irish prayer set in a very nontraditional way. Starting with a single statement of the melody above the pedal tones in the bass and tenor, this work grows in intensity as the phrase splits

This a cappella arrangement of an Antonio Scandello madrigal is wonderful literature for study, especially in this accessible edition. Largely homophonic, with pronunciation and translation guides given,

Here is an exuberant a cappella number that's loaded with African atmosphere! The traditional Zambian words are sung throughout with such a buoyant, rhythmic feel that you are transported into the center of

This moving selection features a smoothly flowing harmonic texture that courses throughout the piece. Warm and enveloping, The Song You Loved will be the song you love singing, whether it be for

Middle school choral director Melissa Roth Young have captured the spirit of this jaunty sea chantey for TB voices and hammered dulcimer. It is often challenging to find works for less-experienced middle

This piece features a combination of ancient chant, written by Hildegard von Bingen, and original contemporary chant that offers many different performance possibilities. Performance notes are provided.