Titus 3

The collection is perfect for creating short suites with an ad libitum number of movements, and thus is ideal for school recitals, family celebrations or street busking. These miniatures can also be used to

  • A melody with a rhyme and colourful picture on each page
  • An introduction to fingering in the major key in first position
  • Foreword on getting started and

Vladimir Bodunov’s challenging duet arrangements make it possible to achieve a rich orchestral-like sound with only two instruments. He has taken great care to make the instruments equal in

Edited by Jaroslav Foltyn. For violin. Preface in Ger., Cz. ... view details

Piano reduction edited by Karel Solc. Violin part revised by Josef Suk. For violin & piano reduction. Preface in Ger., Cz. and Eng. Performance material is available on rental from the publisher. Score,

Piano reduction by Karel Solc. Violin part revised by Bruno Belcik. For violin & piano reduction. Preface in Ger., Cz. and Eng. Performance material is available on rental from the publisher. Score, 33

Edited by Wilfried Fischer & Martin Schelhaas. For violin & piano reduction. Urtext Edition. Reconstructed from BWV 1056. Score, 13 p. and part.

This Urtext edition is based on the first edition (score, solo violin part, piano reduction and orchestral parts). It also takes Dvorak's autograph which served as a master copy for the engraving into

Oskar Rieding (1840–1918) is known to all young violinists for his easy-to-play concertos for violin and piano, of which opp. 34 to 36 remain entirely in first position. In op. 36 catchy melodies are

In his symphonic poem "Danse macabre" Saint-Saëns takes up a poem by Henri Cazalis that he had already set as an art song. Here the Devil brings the dead to life by playing his violin. Although the