Cello Solo Sheet Music

This new transcription of the Mollenhauer (1827-1914) fantasia "The Boy Paganini" is an impressive intermediate show piece for young cellists. It is a great introduction to virtuoso techniques for

Capriccios and Exercises contain a multitude of fingering patterns in related major and minor harmonies, exercises for the thumb position, and many passages of double stops, all within a melodious

Edited by Larry R. Todd. For cello & piano. Urtext Edition. Preface in Ger. and Eng. Contains all of Mendelssohn's works for cello and piano. It also includes reconstructions or completions of

Edited by Larry R. Todd. For cello & piano. Urtext Edition. Preface in Ger. and Eng. Contains: Sonata, Op. 45  and Sonata, Op. 48. Includes facsimiles and critical

Edited by Larry R. Todd. For cello & piano. Urtext Edition. Preface in Ger. and Eng. Contains: Variationas Concertantes, Op. 17; Romance sans Paroles, Op. 109; Assai Tranquillo;

Edited and arranged by Joachim F.W. Schneider.  For cello, strings & bass continuo (piano reduction).  Originally written for organ.  This new edition was commissioned for the renowned

A scholarly critical performing edition of Bach's great solo cello suites. Includes: one music volume with a critical report; one text volume with information on manuscripts, genesis, and performance

Edited by Andrew Talle. For solo cello. Urtext Edition. Detailed preface in Ger. and Eng. This edition, based on volume 4 of the New Bach Edition (Revised), fundamentally reassesses the

Contents: Allegro moderato -- Poco Adagio quasi Andante -- Rondo. With an introduction and preface in English and German. Critical commentary. Beethoven composed this sonata in 1800 for hornist Giovanni

Edited by Clive Brown, Neal Peres da Costa & Kate Bennett Wadsworth. For cello & piano. Urtext Edition. Preface in

Edited by Clive Brown, Neal Peres da Costa & Kate Bennett Wadsworth. For cello & piano. Urtext Edition. Contains

If you can finally play the Prelude from Bach's Suite No. 1 for Violoncello Solo in G Major, you have made it - you have entered the world of great cello literature, and at the same time, you have found a