Mark.10

Capriccios and Exercises contain a multitude of fingering patterns in related major and minor harmonies, exercises for the thumb position, and many passages of double stops, all within a melodious

Edited by Jaroslav Foltyn. For violin. Preface in Ger., Cz. ... view details

Edited by Wilfried Fischer & Martin Schelhaas. For violin & piano reduction. Urtext Edition. Reconstructed from BWV 1056. Score, 13 p. and part.

Piano reduction edited by Vilem Blazek. Viola part revised by Jan Plichta. For viola & piano reduction. Preface in Ger., Cz. and Eng. Performance material is available on rental from the publisher.

Antonio Vivaldi’s twelve concertos op. 4 known by the name of “La Stravaganza” were first mentioned as a collection of “Concerti a 4” in the 1711 Foreword of

Antonio Vivaldi’s twelve concertos op. 4 known by the name of “La Stravaganza” were first mentioned as a collection of “Concerti a 4” in the 1711 Foreword of

Edited by Jaroslav Foltyn. For violin. This edition is essentially based on the original print published at the outset of the 20th century, along with other sources from Sevcik's posthumous papers. With

Bach, Johann Sebastian. Ed. Manfred Harras. Published by Barenreiter Verlag, Kassel, Germany. Copyright 1998. Urtext of the New Bach Edition. Provides not only the recorder parts, but the relevant parts for

A scholarly critical performing edition of Bach's great solo cello suites. Includes: one music volume with a critical report; one text volume with information on manuscripts, genesis, and performance

Edited by Andrew Talle. For solo cello. Urtext Edition. Detailed preface in Ger. and Eng. This edition, based on volume 4 of the New Bach Edition (Revised), fundamentally reassesses the

Contents: Allegro moderato -- Poco Adagio quasi Andante -- Rondo. With an introduction and preface in English and German. Critical commentary. Beethoven composed this sonata in 1800 for hornist Giovanni

Henry Eccles left behind a number of smaller works most of which were written for violins or flutes. However, the most famous is this Sonata in G minor. Though often played in transcription by violinists

Edited by Clive Brown. For violin & piano. Urtext Edition. Preface in Ger. and Eng. Including detailed information on the genesis, historical editions, and Beethoven's metronome markings. With

Edited by Clive Brown & Neal Peres Da Costa. For violin or viola & piano. Urtext Edition. Preface in Ger. and Eng. Includes performance practice commentary as well as a critical report. Contains

Edited by R. Larry Todd. For cello & piano. Urtext Edition. Preface in Ger. and Eng. Based on the German first edition. Includes critical commentary. Score, 6 p. and part.