Galatians.6

Ludwig van Beethoven composed the Choral Fantasia, op. 80 for the gigantic concert event that took place at the Theater an der Vien on December 22, 1808. It was given as the closing work, albeit without the

Combining a piano concerto and a cantata in one work is an undertaking that requires true mastery. Ludwig van Beethoven succeeded in this with his Fantasia for Piano, Chorus and Orchestra in C minor, Op.

One of Bach's most celebrated choral works is presented here with the original German text and a singable English version in an Urtext edition for soloists, choir and orchestra. For the composition of the

This Passion oratorio Gethsemane und Golgatha was composed in the astonishingly short period from 22 to 28 July 1838 on a text by the evangelist Wilhelm Schuber, a close friend of Friedrich

Kuhnau’s Magnificat in C major is – apart from his Biblical Sonatas – considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed

As is often the case with Beethoven's orchestral works, there are often several contradictory sources regarding the material used at the first performance and for the first edition - contradictions which

Edited by Malcolm Bruno & Caroline Ritchie. Piano vocal score by Andreas Koehs. For soloists, choir & orchestra. Critical Edition with the original English text by Charles Jennens as well as

Mozart, Wolfgang Amadeus. Ed. Burghard Schloemann, Reduction by Michael Obst. Published by Breitkopf & Haertel, Wiesbaden, W. Germany. Copyright 1988. Organ-vocal score of the first mass by Mozart which

The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five

The “Missa in c” was so dear to Mozart that he cited it as “evidence of the reality of my vow to marry” his beloved Constanze and to complete the only half-finished mass.

Edited by Wolfram Ensslin.  For chorus & instruments.  Urtext Edition.  Preface in Ger. ... view details

For the funeral rites after the death of King Augustus I. of Saxony (“Augustus the Strong“), Zelenka composed the Requiem in D (ZWV 46) and the Officium Defunctorum (ZWV 47),