Hebrews 4

Ave Verum Corpus by Wolfgang Amadeus Mozart, arranged for SATB saxophone quartet by Howard J. Buss, makes an exquisite addition to a recital, and it is especially effective in a church setting.

Ave Verum Corpus by Mozart transcribed by Howard Buss for trumpet quartet - 4 Bb, or 3 Bb and one Bb bass (or baritone or trombone). A bass clef part is included for the 4th part in case a bass

For bassoon quartet. First printing. Written for Eric Varner. Three movement work: Basslets; Moonstruck and Festoons. Duration: ca. 8'. Score, 14 p. and parts.

Canzona by Florentio Maschera and arranged for SATB saxophone quartet by Howard J. Buss. This uplifting work was written in the imitative style of the late Renaissance. It is a stirring addition to

Canzona by Florentio Maschera transcribed by Howard Buss for trumpet quartet: 4 Bb, or 3 Bb and one Bb bass (or baritone or trombone). A bass clef part is included for the 4th part in case a bass

Elaine's Imitation Dance for woodwind quartet (flute, oboe, clarinet, and bassoon) by Allen Molineux. On the American hit TV show, Seinfeld, the character Elaine once did a spastic dance that has

Flurry for flute quartet or ensemble by Matthew Nunes is a charming, light-hearted composition written during the winter of 2014. Cast in four short movements: "Allegro Energico;" "Dolce, pio; "

Fuga VII, from the Well-Tempered Clavier, Book 2 by Johann Sebastian Bach, was transcribed by Howard J. Buss for SATB saxophone quartet and is appropriate for performance in church.

Levi's Dream for flute quartet or ensemble by Howard J. Buss showcases the agility and rich sonority of the instruments. It can be performed as a quartet with 3 C flutes and a bass flute; or with 2

For 4 French horns. First printing. Designed as a showcase piece for horn quartet. Duration: ca. 9' 27". Score, 19 p.

For 4 French horns. First printing. Four movements: This and That; Waltz; Hymn and Rip Romp. Duration: ca. 8' 44". Score, 20 p. and parts.

This late Renaissance work is written in a stirring imitative style. Particularly interesting are the meter changes involving metric modulations, a trait found in much of the dance music of the day. It

For violin, viola, cello & piano.  First printing.  Written in memory of the composer's friend and colleague, Lila Deis.  Includes notes from the composers.  Duration: ca. 21'.