Isaiah.49

Edited by Felix Loy. For SATB soloists, SATB choir & orchestra. Urtext Edition based on the autograph score. The music was composed in 1735-36, on a libretto by Newburgh Hamilton. This edition includes

Edited by Uwe Wolf. For choir, flute, 2 violins, viola & basso continuo. Piano reduction by Andreas Graesle. Urtext Edition. Preface in Ger. and Eng. This edition includes singing texts in German, and

Belshazzar, with its detailed stage instructions and many short forms such as accompagnato recitatives and ariosi, is the most dramatic of George Frideric Handel’s oratorios. It is de facto a

Edited by Paul Horn & Johannes Leisentritt. For SATB soloists, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, viola & basso continuo. Urtext Edition. Preface in Ger. and Eng. From the

Edited by Karin Wollschlaeger. For soloists, SATB choir & orchestra. Urtext Edition. Preface in Ger., Fr. and Eng. Includes critical notes. A cantata for the Sunday after New Years. Score, 24

Edited by Ulrich Bartels. Revised by Robert Scandrett. For SATB soloists, SATB choir, 2 oboes d'amore, 2 violins, viola & basso continuo. Urtext Edition. Preface in Ger. and Eng. A cantata for the 9th

Edited by Uwe Wolf. Revised by John Coombs. For soloists, SATB choir & orchestra. Urtext Edition. Preface in Ger. and Eng. Includes critical notes. A wedding cantata. Score, 87 p.

Edited by Reinhold Kubik.  English version by Henry S. Drinker.  New Urtext Edition.  Preface in Ger. and Eng.  Contains facsimiles.  Duration: ca. 5'.  Full score, 36 p.

Edited by Klaus Hofmann. For soloists, SATB choir, oboe & strings. Urtext Edition. Preface in Ger. and Eng. Score, 48 p.

Edited by Ulrike Utsch. For SATB chorus, soloists, 2 oboes d'amore, 3 trumpets, timpani, violino ... view details

Edited by Frieder Rempp. For alto, tenor & bass soloists, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola & basso continuo. Urtext Edition. Preface in Ger. and Eng. From the series Bach

Edited by Klaus Hofmann. Revised by John Coombs. For soloists, SATB choir & orchestra. Urtext Edition. Preface in Ger. and Eng. A cantata for the 23rd Sunday after Trinity. Vocal score, 32 p. Full

Edited by Christine Blanken. For soloists, SATB choir & orchestra. Urtext Edition. Preface in Ger. and Eng. For this edition, the tenor part has been reconstructed by Detlev Schulten (Leipzig).

Edited by Uwe Wolf. For SATB soloists, SATB choir, 2 flutes, 2 oboes, 2 oboes d'amore, 2 violins, viola, 2 viols, 2 lutes & basso continuo. Urtext Edition. Preface in Ger., Fr. and Eng. From the series

In his Passion oratorio Christ on the Mount of Olives, Beethoven succeeded in building on the 18th century oratorio tradition while putting his own personal stamp on the German-language oratorio.

Edited by Silja Reidemeister. For soloists, SATB choir, orchestra & organ. Urtext Edition. Preface in Ger. and Eng. This edition takes into consideration important, newly discovered sources such as the

In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasia. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the

Edited by R. Larry Todd. For chorus & orchestra. Urtext Edition based on the first German edition, published in 1843 by Kistner in Leipzig. Preface in Ger. and Eng. This edition includes singing texts