Hebrews.7

An accompanied clarinet solo that includes the hymns, Jesus Led Me All The Way,  and  All the Way My Savior Leads Me. After a brief intro of "All The Way…" the soloist

This duet comes with a multiple set of parts, so your duet can be played by 2 alto saxes, 2 flutes, 2 oboes, 2 clarinets or any combination of these. This moving setting for Lent, Easter, and year round

This bubbly rendition of Come Thou Fount is effervescent from beginning to end. It is filled with movement and excitement expressing intense joy throughout.

A traditional early American hymn scored for a medium-advanced instrumental soloist. A good choice for communion and other special moments during a worship service.

Based on the Moonlight Sonata by Beethoven, this slow and plaintive duet is scored for any two C, B-flat or E-flat treble clef instruments and piano.

This sensitive solo arrangement rotates a haunting Siciliano type theme and the traditional Adeste Fidelis in an almost rondo form. A beautiful rendition that is very reflective and meditative and

This solo with piano accompaniment is based on a nautical themed gospel song. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory and special. This simple

Joyful! Joyful! Joyful! This constantly bubbly piece makes a point of the excitement of the Birth of Christ. Although the shapes of the lines constantly change, the drive to the end is always present.

A Rich Heffler Music arrangement. The piece is in irregular meters throughout. The work is in a continual jovial manner and is a excellent work for the more mature player.

This trio for Easter renders a simple and gentle movement that is continually flowing with contrapuntal lines that exudes wonderment- truly a piece that causes reflection. There is activity in each of the

Presented in a pastoral setting, the melodic material in these solos is not modified to a large degree, allowing for a solemn and reflective setting to let the message of the hymn come through. A good

Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same.  A

After a short piano introduction, the first part introduces the tune as a solo and then joined in with the other parts as decorations leading up to traditional harmonic movement. The second section

This solo begins with a easy lilt underpinned by a gentle accompaniment. Moving into the second section of the piece the tune is embellished in a variation format of chromatic triplets. It repeats

This is a clarinet solo that begins in a flowing manner and quickly accelerates to a more technical rendition of the tune creating a delightful atmosphere for this grand old hymn. It is effervescent and

A lively and exciting solo from beginning to end - a brief introduction sets up the flavor for a modified presentation of the tune; after a modulation, the second offering is more sedate and sweet, only to