Psalm.116

This selection is a gentle lullaby based on an old Welsh folk song. With limited divisi towards the end, it has beautifully lyrical writing and will be a warm and welcome addition to any concert.

This choral rendition of Proverbs 22:9 begins with a plaintive solo voice and continues unaccompanied with interweaving choral parts for your experienced singers. 

This newly edited and re-engraved excerpt is from the Liszt's larger work Christus. This selection opens the second of three sections of the oratorio  which describes the life and ministry of Christ.

With text from the Book of Common Prayer (1662), and named for the commissioning choir of the Church of the Redeemer in Bryn Mawr, Pennsylvania, this setting of the Responses introduces a colorful,

A choral meditation on the dream of peace on Earth, coupled with the realities which constantly threaten such a dream. The work begins with a simple homophonic prayer. The middle section features a more

In the classic Russian choral tradition comes a piece from a set of ten communion hymns, Chesnokov's opus 25. Although other pieces in opus 25 are based on traditional church chants, For Us There Is No

Scored for soprano solo, SATB chorus, and chamber orchestra or piano, this work is the first movement of Mollicone's "Four Sacred Choruses." This movement features mostly choral homophonic singing on the

Scored for soprano solo, SATB chorus, and chamber orchestra or piano, this work is the second movement of Mollicone's Four Sacred Choruses. A joyful movement in 6/8 with free tonality and a dynamic

This piece is a setting of the Ordinary of the Roman Catholic Mass intended for concert or liturgical use. The celebratory nature of the text is underlined by the scoring which uses an accompaniment of

The Russian version, Kol' slaven, sets the poetry of M.M. Kheraskov and has been used in Russia at public gatherings and military ceremonies such as the christening of ships, lowering or raising of

Utilizing the traditional African American tune, this artistic setting focuses on two central images: breaking bread together in communion and fellowship, and falling on one's knees in prayer. Both images

A gorgeous setting of the popular text from the Requiem Mass. The homophonic writing and the voice-leading make it accessible to advanced and professional ensembles.

This powerful setting of the traditional text for Evensong features a creative dialog that is established between the organ and the choir, for experienced singers.

This work uses the text of Psalm 19 in both Hebrew and English. The music blossoms organically from the opening cantorial solo to the final triumphant "Amen" using complex counterpoint along

Set in Shaker harmony style, this is a great contribution to an Earth Day celebration. The voice-leading is both accessible and interesting for the singers as well as listeners, and the lyrics speak to our

This sensitive, prayerful, and approachable setting of text from the Psalms and Whitter's Divine Compassion contains reflective moments that give way to grandness while bringing forward the message

A rousing and joyful setting of the much-beloved early American hymn, PROMISED LAND. Flute (or violin) and harp (or piano) introduce and accompany this sturdy arrangement which retains the flavor of the

Composed as a companion piece to Tomas Victoria's motet of the same title, this new setting, commissioned by England's ORA Singers, is fun, rhythmically driven, and has a few moments of vocal improvisation.

This musical setting employs changing meters to emphasize the inherent rhythm of the lyrics. The opening solo flows as if a cantor might perform it, slightly lingering on important words and relaxing the