Ephesians 1

In Sara Teasdale's poem After Love, the opening line "There is no magic any more" establishes the theme of vanishing love. This setting of the poignant text, in the dark key of D-flat major,

Close harmonies and a lyrical melody paint the sense of longing one feels after losing a loved one. An exploration of dissonance and resolve, this a cappella piece provides comfort in a time of

A very poignant song. Phrases such as "Hush little baby, don't you cry, you know your mama was born to die," or "Oh my brothers, I must leave you here behind," view the approach of death in terms of those

This arrangement of Ani Ma'amin employs an old Jewish folk melody. It is said that during the Holocaust of WWII, Jewish prisoners in German concentration camps sang this song as they were being

Number four in the series of four Appalachian Carols set for both mixed and treble voices. The complete set contains Wondrous Love; The Cherry Tree Carol; Jesus, Jesus Rest Your Head; and Go Tell it on

Number one in the series of four Appalachian Carols set for both mixed and treble voices. The complete set contains Wondrous Love; The Cherry Tree Carol; Jesus, Jesus Rest Your Head; and Go Tell it on

Number three in the series of four Appalachian Carols set for both mixed and treble voices. The complete set contains Wondrous Love; The Cherry Tree Carol; Jesus, Jesus Rest Your Head; and Go Tell it on

This lively work incorporates a sprightly piano accompaniment with the wonderful poem Recuerdo by Edna St. Vincent Millay, along with body movements, to create a real mood piece that is fun and

Number two in the series of four Appalachian Carols set for both mixed and treble voices. The complete set contains Wondrous Love; The Cherry Tree Carol; Jesus, Jesus Rest Your Head; and Go Tell it on

A beautiful Christina Rossetti text about love gained and lost. Simple, moving choral writing in a quiet, reflective piece.

The third in a set of three songs titled Love Was My Lord and King! based on the poetry of Alfred Lord Tennyson. For TTBB chorus and chamber orchestra or piano. Commissioned by the Orpheus Male

A moving setting of this gripping and emotional text. In this setting, the composer captures the solemnity of the text throughout the thoughtful choral writing, comforting those who are left to grieve.

This fun choral arrangement includes snaps and a sense of humor. Arranged in a swing style, this piece will delight your singers and audience alike!

This anthem is based on the traditional hymn, The King of Love My Shepherd Is, with music and lyrics adapted by the composer. Interspersed with the preexisting material are short phrases, musical

A new arrangement of a traditional spiritual. The character of this version is shaped by the lyrics, "I'm gonna shout and sing, until the heavens ring..." The Gospel Ship (i.e. a vessel of music) transports

This is an old Quaker hymn dating back to the 1800s in the United States. References to the persecution of Friends may be heard in the lyrics, yet faith and courage prevail. This arrangement emphasizes the

This piece is a fast, joyous outburst with the initial lines "I am wild, I will sing to the trees" setting the jubilant tone. The perpetual motion of the syllabic stepwise vocal lines is punctuated by

The King shall come when morning dawns
And light triumphant breaks,
When beauty gilds the eastern hills
And life to joy awakes.

This popular Mexican folk song tells the tale of La Llorona, "The Weeping Woman." The tuneful melody pairs well with the other parts, and intuitive part-writing makes this accessible to treble choirs.

Utilizing the traditional African American tune, this artistic setting focuses on two central images: breaking bread together in communion and fellowship, and falling on one's knees in prayer. Both images

A traditional memorial text with spiritual roots has been adapted by the composer in a setting that is simple and honest. With an unadorned melody set in a beautiful musical language with open, transparent