Edited by Adrienne Kaczmarczyk. For piano. Preface and critical notes in Ger. and Eng. These concert etudes were composed in 1848-49. This edition is based primarily on Liszt's autograph manuscripts.

Edited by Imre Sulyok, Imre Mezo & Adrienne Kaczmarczyk. For piano. Preface in Ger. and Eng. This edition also includes Liszt's earlier version of Paralipomenes a la Divinia Commedia.

Edited by Imre Sulyok, Imre Mezo, Adrienne Kaczmarczyk & Agnes Sas. Revised edition from the New Edition of the Composer Works, Series I, Vol. 9. Preface in Ger. and Eng. Score, 64 p.

Sonatinas form a vital part of the teaching material for beginner and intermediate piano students. Compared to the great classic piano sonatas, they are technically and musically simpler and typically

Composed in December 1917, Kodaly prepared the piece in two different versions, one for two clarinets, two bassoons and string orchestra, and the other for cello and piano. The cello version appears here in

Pedal use is a fundamental part of expressive piano playing. But proper pedaling skills are not easy to acquire. Thus, it is important that piano students become acquainted with the use of the three pedals

Edited by Zoltan Gardonyi, Istvan Szelenyi & Adrienne Kaczmarczyk. For piano. Revised edition from the New Edition of the Complete Works, Series I, Vol. 2. Preface in Ger. and Eng. Score, 39

This collection helps children with their first recital using easy arrangements of 14 favorite works by Beethoven, Handel, Haydn, Mozart and more. Also includes advice on how to get ready for a concert, how

Each of the 10 selections can be performed using flexible instrumentation, whether there are two, three, four, or even five musicians who would like to play together. Instrumental parts mat be played by a

English version revised and edited by Leslie Russell. For piano. Score, 135 p.

Edited by Antal Boronkay. For piano. Revised edition from the New Edition of the Complete Works, Series I, Vol. 5. Preface in Ger. and Eng. Score, 48 p.

Edited by Imre Sulyok & Imre Mezo. For piano. Reprint of an earlier edition. Titles include: Psalllite; O heilige Nacht!; Die Hirten an der Krippe; Adeste fideles; Scherzoso; Carillon;

Edited by Adrienne Kaczmarczyk. For piano. Complete Edition. From the series New Liszt Edition, Supplement Vol. 14. Preface in German, Hungarian & English. The hardbound

Bartók taught piano at the Music Academy in Budapest from 1907 to 1934. In his first years as a professor, the Budapest music publishers Rozsnyai and Rózsavölgyi commissioned him to

“I finished this composition at age seventy after more than one year's work. Every minute spent with these pieces has been a pleasure for me. Of these twenty-four character-pieces, one was written